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Date Night

6 artworks from 6 artists across 6 galleries
The tour is ordered to begin from the Michigan Avenue entrance. If you are starting in the Modern Wing, simply do your tour in reverse order.

Kindle, or rekindle, those romantic sparks with this tour of amorous artworks.

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  • A work made of leaded glass.

    Hartwell Memorial Window

    Tiffany Studios (Firm)

    Gallery 200, second level, Arts of Europe: Painting and Sculpture Galleries

    Designed by Agnes F. Northrop for Tiffany Studios, this 25-foot-tall stained glass window features an idealized view of Mount Chocorua in New Hampshire's White Mountains. The window is composed of 48 panels that are each made up of different glass types and combinations. In some sections the glass is layered up to five layers thick to create the unique colored effects.

    "Enjoy a a beautiful sunset together—no matter the time of day! In this sublime scene, warm light catches on the rushing waterfall and dances through the trees—the beauty of nature conveyed through an intricate arrangement of vibrantly colored glass."

  • Large painting of cupid being whipped, a woman tries to hold back the a man in red dress.

    Cupid Chastised

    Bartolomeo Manfredi

    Gallery 211, second level, Arts of Europe: Painting and Sculpture Galleries

    This dramatic scene by Bartolomeo Manfredi shows Mars, the god of war, beating Cupid for having caused his affair with Venus, the goddess of love. The sheer physicality of the figures as well as the bold illumination from the left further the work's dynamism. The composition is on one level a tale of domestic disturbance but also symbolizes the eternal conflict between love and war.

    "As Shakespeare warned, 'The course of true love never did run smooth.' Here we see the consequences of an illicit love in a spicy moment from Greco-Roman mythology. Though married to Vulcan, Venus has been having an adulterous affair with Mars."

  • Large painting of soldier asleep outdoors surrounded by two women and a cupid.

    Armida Encounters the Sleeping Rinaldo

    Giovanni Battista Tiepolo

    Gallery 215, second level, Arts of Europe: Painting and Sculpture Galleries

    Giovanni Battista Tiepolo’s work epitomizes the brilliant exuberance of the Late Baroque style. Internationally renowned, Tiepolo was often commissioned to transform palaces and monasteries in Venice and elsewhere in Italy, as well as in Germany and Spain. This painting and three others at the Art Institute once graced the cabinet of mirrors, a richly decorated room in the Venetian palace of the powerful Cornaro family.

    "This romantic work, the first of a series of four, tells the story of Rinaldo and Armida. Armida, a sorceress, attempts to divert the knight Rinaldo from his duty, setting the stage for the battle between love and obligation. Can you spot Cupid?"

  • A work made of silver.

    Loving Cup

    Lebolt and Company

    Gallery 179, first level, Arts of the Americas Galleries

    Produced by the Chicago silver firm Lebolt & Co., this loving cup is an example of machine-age practices introduced at the height of the Arts and Crafts movement. Unlike the hand-hammered Chicago metalwork of this period, the vessel has a smooth finish. Its bowl was formed from a sheet of machine-rolled metal rather than worked by hand from a silver bar or ingot.

    "According to ancient Celtic and Irish tradition, the loving cup is a symbol of a couple's unity and their dedication to each other. It's also a cozy and intimate way to enjoy a drink with your sweetheart!"

  • Scene in a diner, viewed through wrap-around glass windows, at night on an empty urban street. A light-skinned man and woman, he in a suit and she in a red dress, sit together at a triangular wood bar, eyes downcast. At left sits another man, his back to the viewer. Behind the counter is a light-skinned man in a white uniform. The interior lights cast a yellow glow that spills onto the street in pale green. Above the diner a sign reads, "Phillies."

    Nighthawks

    Edward Hopper

    Gallery 262, second level, Arts of the Americas Galleries

    One of the best-known images of 20th-century art, Edward Hopper's Nighthawks depicts an all-night diner where three customers, all lost in their own thoughts, have congregated. It’s unclear how or why the anonymous and uncommunicative night owls are there. While Hopper mostly avoided commenting on his intent for the work, he did share, “unconsciously, probably, I was painting the loneliness of a large city.”

    "This is a can't-miss for any visit but an especially good one to show off to your date. See if you both can figure out the relationships among the sitters. Their interaction is limited, and there's a sense of hidden stories and danger as in a film noir."

  • A work made of marble.

    Fragment of a Portrait Head of Antinous

    Ancient Roman

    Gallery 153, first level, Arts of the Greek, Roman and Byzantine Worlds Galleries

    This portrait depicts Antinous (about 111–130), the young lover of Emperor Hadrian (reigned 117–38). His characteristic facial features include an oval face, smooth complexion, almond-shaped eyes, and full lips, as well as his distinctive hairstyle of thick, wavy locks radiating from the crown of his head. This sculpture is a fragment from a larger whole, and for many years it was unclear what form the original, intact work had taken. Recent scholarship indicates that it once belonged to an over-life-size bust of Antinous currently in the Palazzo Altemps in Rome.

    "After Antinous drowned in the Nile River under mysterious circumstances, the heartbroken and grief-struck Hadrian not only commissioned numerous statues of his lover and founded a city in his name, but he also created a cult in his honor!"

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