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A color photo in close-up of the top half of a rounded woven basket with a circular lid. The basket is largely woven of blond and black strips of wood. The black wood forms tiny Vs in an alternating pattern. A color photo in close-up of the top half of a rounded woven basket with a circular lid. The basket is largely woven of blond and black strips of wood. The black wood forms tiny Vs in an alternating pattern. A partial view of an oil painting painted with thick impasto. A young blond girl blows on a long, thin horn, her eyes closed. Behind her is a forest of sparsely leaved birch trees in tones of mustard and sage. A partial view of an oil painting painted with thick impasto. A young blond girl blows on a long, thin horn, her eyes closed. Behind her is a forest of sparsely leaved birch trees in tones of mustard and sage. A dramatically lit, finely detailed painting shows a man wrapped in a white cloth, his arm outstretched, while a man in a red cape lunges at him, grasping the former's cloth garment. A young woman kneels at the feet of the man in white, holding tight to his lower body. Beside them and quite nearby, a man in a helmet with bayonet looks on. A dramatically lit, finely detailed painting shows a man wrapped in a white cloth, his arm outstretched, while a man in a red cape lunges at him, grasping the former's cloth garment. A young woman kneels at the feet of the man in white, holding tight to his lower body. Beside them and quite nearby, a man in a helmet with bayonet looks on.

See how Jeremy Frey creates his ash baskets from the forests of Maine, trace Paula Modersohn-Becker’s boundary-pushing career across three locations, and dive deep into a selection of Neoclassical works chosen by our curators.

Fall 2024

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Close looking and contemplation will be rewarded across the many exhibitions we’re offering this fall.

⁠—Andrew James Hamilton, associate curator, Arts of the Americas

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