Educator Resources

This ceramic sculpture of a camel and rider is an example of a type of mingqi, or tomb figure. During the Tang Dynasty whenever a rich or powerful person died they were buried with clay objects depicting people, animals, and fantastic creatures

Thinly and rapidly painted, Equestrienne (At the Cirque Fernando) (1887-88) has the confident, improvisational quality of a drawing. Its subject is the Circus Fernando, one of the first permanent circuses in Paris.

With its pulsating strands and slashes of bright color, this work evokes memories of bustling cities that Mitchell recalled from her travels in the American Midwest.

Art + Science was developed by the Art Institute of Chicago to support dialogue and collaboration between art and science teachers at the middle school level, with the ultimate goal of inspiring art and science integration in the curriculum.

This teaching packet includes an essay, discussion questions, activity ideas, a glossary, and images of three photographs from Dawoud Bey’s first significant body of work.

This screen celebrates the Japanese tradition of viewing cherry blossoms to mark the arrival of spring. The tree’s blossoms and hanging poem slips create an elegant design against the gold of the silk.

Inspired by the Apollo missions, Thomas’s thickly painted patches of vivid color against a white ground creates a sensation of flickering light, which suggests the mysterious beauty of outer space and inspires a sense of wonder.

To render this haunting portrait, Albright used a precise painting technique that encourages viewers to look at all the details that convey Ida’s persona, such as clothing, accessories, and setting.

In The Herring Net (1885), Winslow Homer captures the conflict between man and nature in his depiction of two fishermen hauling in a herring net amidst a stormy and powerful seascape.

This screen portrays a ship arriving in Japan from Portugal with European merchants in pantaloons and broad-brimmed hats bearing exotic products.

This painting features the famous medieval legend of Saint George, who saved a princess about to be sacrificed to the dragon threatening her father’s kingdom.

This figure of Shukongojin looks down from his rock-like pedestal, imposing both a sense of awe and curiosity about the target of his aggressive presence.

Barbara Hepworth’s Two Figures represents the artist’s fusion of geometry and nature. The teak sculpture is composed of two vertical forms that are situated on a platform and punctuated by white-painted circular or oval concavities.

This painting depicts the dignified, Chicago-based artist Archibald J. Motley, Jr. The traditional composition and lively colors that hint of his future Bronzeville paintings offer a glimpse into the complexity of Motley himself.

This handmade sculpture’s energetic gestures and lively facial expression suggest a strong and vibrant personality. Unearthed from an ancient tomb, the figure represents a timeless recording of history, legends, and myths.