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A painting shows an adult with dark hair in a bun and a green-and-white striped robe seated at left, holding a young child with straight dark hair at center as the child stands in a white washbasin, with a white pitcher at bottom right and a green cabinet behind them. Cassatt Square

Member Preview: Mary Cassatt—After Impressionism

Sat, Sep 5 | 10:00–5:00

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Enjoy member-only access to Mary Cassatt: After Impressionism and see the exhibition before it opens to the public.

Be sure to keep your member card handy to scan into the galleries during this exclusive preview.

Marking the centennial of her death, Mary Cassatt: After Impressionism examines her paintings, pastels, and prints of this pivotal period when she took her art making in new directions. In the prime years of her career—the late 1880s through the early 1900s—Cassatt pursued ambitious and experimental work, exploring the theme of mothers and caretakers with children, creating complex color prints, and undertaking an unprecedented mural commission for the 1893 World’s Columbian Exposition in Chicago.

The first exhibition at the Art Institute dedicated to the fiercely independent female maker in more than 25 years, Mary Cassatt: After Impressionism features over 75 paintings, works on paper, and ephemera on her mural (now unlocated and presumably destroyed). The presentation shifts the focus beyond the artist’s contributions as an Impressionist to give due attention to her bold innovations to come, showcasing Cassatt’s modernist aesthetics, breakthroughs, and lasting impact on both sides of the Atlantic.

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Sponsors

Lead Corporate Sponsor

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Lead support for Mary Cassatt: After Impressionism is generously provided by an anonymous donor. 

Major support is provided by Richard F. and Christine F. Karger, the Gray Faversham Family Fund for Exhibitions, Sandra L. Grung in gratitude of Frederick A. Sweet, the Pepper Family Foundation, The Donnelly Family Foundation, the Jentes Family, Nancy Koltun, the Reed Family Foundation, and Jane Woldenberg.

Additional support is provided by the Suzanne and Wesley M. Dixon Exhibition Fund.

Members of the Luminary Trust provide annual leadership support for the museum’s operations, including exhibition development, conservation and collection care, and educational programming. The Luminary Trust includes an anonymous donor, Karen Gray-Krehbiel and John Krehbiel, Jr., Kenneth C. Griffin, the Harris Family Foundation in memory of Bette and Neison Harris, Josef and Margot Lakonishok, Liz and Eric Lefkofsky, Ann and Samuel M. Mencoff, Sylvia Neil and Dan Fischel, Cari and Michael J. Sacks, and the Earl and Brenda Shapiro Foundation.

Additional corporate support is provided by

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