Using this work as a jumping-off point, Yoonjung Seo examines the stylistic features, iconography, pictorial sources, symbolic meanings, and ritual contexts of this subject in the late Joseon period (1392–1910) in Korea. She discusses the process of cultural transmission and adaptation that occurred in East Asian countries and the ceremonial significance of large-scale folding screens in Joseon court art. Through comparisons of various versions of Banquet of Guo Ziyi, she presents insights into Joseon court painting style and its broader cultural influence.
This program is generously funded by the National Museum of Korea.
About the Speaker
Yoonjug Seo is an assistant professor in the Department of Art History, Myongji University, Seoul. She received her PhD in art history at the University of California, Los Angeles, and taught Korean and East Asian art at Free University, Berlin. Her research interests cover Korean art and visual culture, with particular emphasis on cultural transmission and intercultural connections reflected in Joseon court painting and the Sino-Korean relationship in early modern art.
Please note that this is an in-person event that takes place at the museum. In accordance with state and City of Chicago guidelines, visitors to the museum are no longer required to wear masks or provide proof of vaccination, though anyone who would like to wear a mask is encouraged to do so. If you are experiencing COVID-19 symptoms or have been exposed to COVID-19 in the week before your visit, we ask that you stay home. We appreciate your help in keeping the museum a healthy and safe place for our staff and visitors. Learn more about our visiting policies.
If you have any questions about programming, please reach out to firstname.lastname@example.org.
Closed captioning will be available for this program. For questions related to accessibility accommodations, please email email@example.com.