Warhol Lecture Series: Claire Henry, Bill Horrigan and Bruce Jenkins—Take Three: An In-Depth Look at the Cinema of Andy Warhol



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A black and white screenprint of Elvis Presley. Presley's image is "tripled" in the print—his image appears three times from left to right. Presley wears jeans and a collared shirt, a belt and a holster, and appears to point a gun at the camera while looking off into the distance.

Andy Warhol. Triple Elvis [Ferus Type], 1963. The Doris and Donald Fisher Collection at the San Francisco Museum of Modern Art, FC.556. © 2019 The Andy Warhol Foundation for the Visual Arts, Inc. / Artists Rights Society (ARS), New York. 

Warhol’s filmmaking practice is discussed by Claire Henry, assistant curator of the Andy Warhol Film Project, along with co-authors of The Andy Warhol Film Catalogue Raisonné Bill Horrigan, curator at large at the Wexner Center for the Arts, and Bruce Jenkins, professor of Film, Video, New Media, and Animation at the School of the Art Institute.

Presented in association with the exhibition Andy Warhol—From A to B and Back Again, this lecture series highlights various aspects of Warhol’s production across the entirety of his career.

Presented by the Society for Contemporary Art


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