Paul Jones
Paul Jones has been with the Art Institute’s Communications department since 2008 and currently serves as associate director.
Paul’s tenure at the museum started in 1991, when he was hired as an actor for a performance series called Voices. That led to a variety of special projects until 2002, when he started part-time in Lectures and Performances, editing scripts and producing performances. He became full time in 2005.
He has a master’s of library and information science from Dominican University.
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Birdwatching in the Museum
Five avian-loving staff members guide you to their favorite bird-centered works of art.
Dan Meyer, Sizhao Yi, Violet Jaffe, Paul Jones, and Ryan M. Pfeiffer -
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Talking about Prayer and Art in the Galleries
For some visitors to the museum, looking at art is a religious experience.
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Five Models and Their Artists
The relationship between artist and model is often personal and complex—and it can add depth and power to a work of art.
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Franz Marc’s Bewitching Mill
Through his painting, the artist hoped to create a spiritual connection to the world, to more intensely feel its tremor and pulse.
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Strategic Reserves of Hope: Peter Blume’s The Rock
In the devastated landscape of Blume’s world, mystery and hope strike a vibrant balance.
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The Lions of Michigan Avenue
There’s something extraordinary about the Art Institute lions, something that could only come from the vision of a remarkable artist.
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What Vincent Saw: A Photographer’s Journey
Sixty years after Van Gogh died, his nephew took photographer Peter Pollack on a tour of places where his uncle had lived and painted.
Bart Ryckbosch and Paul Jones -
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Salvador Cruz, Senior Designer, Visual Design
Twenty-two years ago, he was a student working to pay his way through design school, when the museum’s director of design decided to give him a chance.
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Listening to the Song of the Lark
Sometimes paintings can play with your memories and even help you to compose your past.
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Ruins and Rebirth
Though it’s tempting to consign ruins to the past, many artworks remind us that their presence is more than mere physicality.
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The Phenomenon of Elaine
Sometimes a work of art is in the right place at the right time—and the result is a kind of collective fever.
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Hidden Care: Four Stories of Patience and Repair
The conservation of works of art happens behind the scenes and at its best is something you don’t even notice.
Mary Broadway, Julie Simek, Pamela Olson, Isaac Facio, Elizabeth Pope, and Paul Jones -
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Sam Ramos, Associate Director of Innovation and Creativity, Learning and Public Engagement
Innovation and creativity are not only things Sam has practiced his entire life—they are essential, he insists, for the future of museums.
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Monet’s Terrifying Light
The artist drove himself to capture what was changing right before his eyes.
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Hale Woodruff’s Twilight: Challenging the Darkness
Lengthy, flowing strokes radiate out from the trees to define the dazzling sky—this is not a sun that is sinking into the darkness.
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100 Years Later: Miró, Miró, On the Wall
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Portraits of Folk
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Evolution of a Brand
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Whittling Away in Anonymity
Paul Jones