Kevin Salatino
Since 2017, Kevin Salatino has served as chair and Anne Vogt Fuller and Marion Titus Searle Curator in the Department of Prints and Drawings, where he recently curated the exhibition Pure Drawing: Seven Centuries of Art from the Gray Collection. He is currently working on a retrospective of the drawings of Willem de Kooning.
Previously Kevin was director of the art collections at the Huntington Library, Art Collections, and Botanical Gardens (2012–17); director of the Bowdoin College Museum of Art (2009–12); curator and head of Prints and Drawings at the Los Angeles County Museum of Art (2000–09); and curator of graphic arts at the Getty Research Institute (1991–2000). Among numerous publications, he is the author of Incendiary Art: The Representation of Fireworks in Early Modern Europe (1998/2015).
Kevin holds a PhD from the University of Pennsylvania and earned his bachelor’s degree at Columbia University.
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Five Favorites of French Neoclassical Art
The curators behind two exhibitions of works from an unparalleled private collection share their must-see picks.
Emerson Bowyer, Emily Ziemba, Kevin Salatino, Jamie Gabbarelli, and Andrea Morgan -
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Van Gogh and the Nature of Solitude
Throbbing with the hum of life, this garden is as inviting as the artist’s iconic bedroom. Curator Kevin Salatino tells us why.
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“A Way to See What I’m Thinking”: A Conversation with Mel Bochner
The artist discusses his connections to the Art Institute, the variety and specificity of drawing mediums, and why “humor isn’t a laughing matter.”
Kevin Salatino and Emily Ziemba -
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Andrea del Verrocchio’s Drapery Study of a Standing Figure Facing Right, in Profile
A work by one of the greatest artists of the Italian Renaissance becomes the museum’s most significant drawing from the period.
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O’Keeffe’s Shells and Bones
Curator Kevin Salatino takes a look at how O’Keeffe joined her two worlds, east and west, desert and ocean, reconciling opposites.
Kevin Salatino