About this artwork
Johns created the gray portion of this print in 1963, originally intending it for a collaboration with Frank O’Hara. Later, he added a photographic detail from a 1965 painting entitled Eddingsville. While other artists, notably Robert Rauschenberg and Andy Warhol had already used photographic imagery in their prints, Johns was the first artist Mrs. Grosman allowed to use a photomechanically-made plate. Thus he entered a new phase of possibilities in image-making. Thereafter, he could simultaneously compare a drawn illusion with a reproduction of an image.
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Status
- Currently Off View
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Department
- Prints and Drawings
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Artist
- Jasper Johns
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Title
- Pinion
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Place
- United States (Artist's nationality:)
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Date
- 1963–1966
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Medium
- Lithograph in color, from two stones and one aluminum plate, on handmade Italia white wove paper
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Dimensions
- Image/sheet: 102.3 × 71.3 cm (40 5/16 × 28 1/8 in.)
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Credit Line
- U.L.A.E. Collection acquired through a challenge grant of Mr. and Mrs. Thomas Dittmer; purchased with funds provided by supporters of the Department of Prints and Drawings; Centennial Endowment; Margaret Fisher Endowment Fund
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Reference Number
- 1982.950
Extended information about this artwork
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.