Pen and brown ink with brush and brown wash, over graphite, on tan laid paper
379 × 267 mm
The Leonora Hall Gurley Memorial Collection
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.
Joachim Harold and Suzanne Folds McCullagh, Italian Drawings of the 15th, 16th, and 17th Centuries, pp. 63-64, no. 2D12 (as “Bartolomeo Passarotti [?], Saints Jerome and Dominic Adoring the Trinity”)
Nicola Spinosa and Rossana Muzii, I Grandi Disegni Italiani nella Collezione del Museo di Capodimonte a Napoli (Milan, 1987), no. 17 (as “dubitavamente attribuito al Passerotti”).
Corrine Höper, Bartolomeo Passarotti, 1529-1592 (Worms, 1987), vol. 2, p. 171, under Z 254.
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 181-82, no. 236 (ill.).
Washington, D.C., National Gallery of Art, “Italian drawings in The Art Institute of Chicago,” pp. 37-38, no. 30, pl. 40, cat. by Harold Joachim and Suzanne Folds McCullagh; traveled to The Art Institute of Chicago, 1979-80.
The Art Institute of Chicago, “Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago,” April 10-June 22, 1997.
McCullagh & Giles 236
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.