Saints Jerome and Francis of Assisi Adoring the Trinity
Place
Italy (Artist's nationality:)
Date
Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Pen and brown ink with brush and brown wash, over graphite, on tan laid paper
Dimensions
37.9 × 26.7 cm (14 15/16 × 10 9/16 in.)
Credit Line
The Leonora Hall Gurley Memorial Collection
Reference Number
1922.3971
IIIF Manifest
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Joachim Harold and Suzanne Folds McCullagh, Italian Drawings of the 15th, 16th, and 17th Centuries, pp. 63-64, no. 2D12 (as “Bartolomeo Passarotti [?], Saints Jerome and Dominic Adoring the Trinity”)
Nicola Spinosa and Rossana Muzii, I Grandi Disegni Italiani nella Collezione del Museo di Capodimonte a Napoli (Milan, 1987), no. 17 (as “dubitavamente attribuito al Passerotti”).
Corrine Höper, Bartolomeo Passarotti, 1529-1592 (Worms, 1987), vol. 2, p. 171, under Z 254.
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 181-82, no. 236 (ill.).
Washington, D.C., National Gallery of Art, “Italian drawings in The Art Institute of Chicago,” pp. 37-38, no. 30, pl. 40, cat. by Harold Joachim and Suzanne Folds McCullagh; traveled to The Art Institute of Chicago, 1979-80.
The Art Institute of Chicago, “Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago,” April 10-June 22, 1997.
McCullagh & Giles 236
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