Near the Lake

1879/80

Pierre-Auguste Renoir
French, 1841-1919

Status: On View, Gallery 201
Department: Painting and Sculpture of Europe

Artist: Pierre-Auguste Renoir
Title: Near the Lake
Place: France (Artist's nationality)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1879–1880
Medium: Oil on canvas
Inscriptions: Inscribed lower right: Renoir
Dimensions: 47.5 × 56.4 cm (18 11/16 × 22 3/16 in.)
Credit Line: Potter Palmer Collection
Reference Number: 1922.439
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/95654/manifest.json

American Association for the Promotion and Encouragement of Art, Catalogue of Celebrated Paintings by Great French Masters: Brought to This Country from Paris, for Exhibition Only, exh. cat. (National Academy of Design, New York, 1887), p. 43, no. 185.
Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings, pt. 2, Paintings (Art Institute of Chicago, 1922), p. 69, cat. 846.
Art Institute of Chicago, “Accessions and Loans,” Bulletin of the Art Institute of Chicago 16, 3 (May 1922), p. 47.
Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1925), p. 150, cat. 846.
M. C., “Renoirs in the Institute,” Bulletin of the Art Institute of Chicago 19, 3 (Mar. 1925), pp. 32 (ill.), 33.
Art Institute of Chicago, Catalogue of “A Century of Progress”: Exhibition of Paintings and Sculpture; Lent from American Collections, ed. Daniel Catton Rich, 3rd ed., exh. cat. (Art Institute of Chicago, 1933), p. 49, cat. 347.
Daniel Catton Rich, “Französische Impressionisten im Art Institute zu Chicago,” Pantheon: Monatsschrift für Freunde und Sammler der Kunst 11, 3 (Mar. 1933), p. 77. Translated by C. C. H. Drechsel as “French Impressionists in the Art Institute of Chicago,” Pantheon/Cicerone (Mar. 1933), p. 18.
Art Institute of Chicago, Catalogue of “A Century of Progress”: Exhibition of Paintings and Sculpture, 1934, ed. Daniel Catton Rich, exh. cat. (Art Institute of Chicago, 1934), p. 40, cat. 236.
“Technique of Painting—II, A Study of Impressionism,” Coronet 6, 2 (June 1, 1939), p. 102 (ill.).
Art Institute of Chicago, “The United States Now an Art Publishing Center,” Bulletin of the Art Institute of Chicago 36, 2 (Feb. 1942), p. 30.
Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute of Chicago, 1961), p. 396.
François Daulte, Auguste Renoir: Catalogue raisonné de l’oeuvre peint, vol. 1, Figures, 1860–1890 (Durand-Ruel, 1971), pp. 232–33, cat. 306 (ill.).
Art Institute of Chicago, Paintings by Renoir, exh. cat. (Art Institute of Chicago, 1973), pp. 84; 86–87, cat. 29 (ill.).
Art Institute of Chicago, Treasures of 19th- and 20th-Century Painting: The Art Institute of Chicago, with an introduction by James N. Wood (Art Institute of Chicago/Abbeville, 1993), pp. 10, 81 (ill.).
Eliza E. Rathbone, Katherine Rothkopf, Richard R. Brettell, and Charles S. Moffett, Impressionists on the Seine: A Celebration of Renoir’s “Luncheon of the Boating Party,” exh. cat. (Phillips Collection/Counterpoint, 1996), pp. 208, pl. 50; 259.
Eliza E. Rathbone, “Renoir’s Luncheon of the Boating Party: Tradition and the New,” in Eliza E. Rathbone, Katherine Rothkopf, Richard R. Brettell, and Charles S. Moffett, Impressionists on the Seine: A Celebration of Renoir’s “Luncheon of the Boating Party,” exh. cat. (Phillips Collection/Counterpoint, 1996), p. 34.
Douglas W. Druick, Renoir, Artists in Focus (Art Institute of Chicago/Abrams, 1997), pp. 6; 47–48; 72; 81 (detail); 92, pl. 11; 110.
Charles Moffett, “Pierre-Auguste Renoir, Young Women at the Water’s Edge,” in The Bellagio Gallery of Fine Art, Impressionists and Modern Masters, ed. Libby Lumpkin, exh. cat. (Bellagio Gallery of Fine Art, Mirage Resorts, 1998), p. 47.
Gilles Néret, Renoir: Painter of Happiness, 1841–1919, trans. Josephine Bacon (Taschen, 2001), p. 129 (ill.).
Colin B. Bailey, “‘The Greatest Luminosity, Colour and Harmony’: Renoir’s Landscapes, 1862–1883,” in Renoir Landscapes, 1865–1883, ed. Colin B. Bailey and Christopher Riopelle, exh. cat. (National Gallery, London, 2007), p. 65.
Guy-Patrice Dauberville and Michel Dauberville, with the collaboration of Camille Frémontier-Murphy, Renoir: Catalogue raisonné des tableaux, pastels, dessins et aquarelles, vol. 1, 1858–1881 (Bernheim-Jeune, 2007), p. 260, cat. 216 (ill.).
John Zarobell, “By the Water, 1879–80,” in Renoir Landscapes, 1865–1883, ed. Colin B. Bailey and Christopher Riopelle, exh. cat. (National Gallery, London, 2007), pp. 210–11, cat. 49 (ill.). Translated as John Zarobell, “Au bord de l’eau, 1879–1880,” in Les paysages de Renoir, 1865–1883, ed. Colin B. Bailey and Christopher Riopelle, trans. Marie-Françoise Dispa, Lise-Éliane Pomier, and Laura Meijer, exh. cat. (National Gallery, London/5 Continents, 2007), pp. 210–11, cat. 49 (ill.).
Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Impressionists: Master Paintings from the Art Institute of Chicago, exh. cat. (Art Institute of Chicago/Kimbell Art Museum, 2008), pp. 72–73, cat. 27 (ill.); 178 (detail). Simultaneously published as Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of Impressionism at the Art Institute of Chicago (Art Institute of Chicago/Yale University Press, 2008), pp. 72–73, cat. 27 (ill.); 178 (detail).
Pascal Bonafoux, Correspondances impressionnistes, vol. 1 (Diane de Selliers, 2008), p. 99 (ill.).
“Cat. 10: Near the Lake, 1879/80,” in Renoir Paintings and Drawings at the Art Institute of Chicago, ed. Gloria Groom and Jill Shaw (Art Institute of Chicago, 2014), https://publications.artic.edu/renoir/reader/paintingsanddrawings/section/138973.

New York, National Academy of Design, Celebrated Paintings by Great French Masters, May 25–June 30, 1887, cat. 185.
Art Institute of Chicago, “A Century of Progress”: Loan Exhibition of Paintings and Sculpture, May 23–Nov. 1, 1933, cat. 347.
Art Institute of Chicago, “A Century of Progress”: Loan Exhibition of Paintings and Sculpture for 1934, June 1–Oct. 31, 1934, cat. 236.
New York, Metropolitan Museum of Art, Apr. 4–May 18, 1952, no cat.
Art Institute of Chicago, Paintings by Renoir, Feb. 3–Apr. 1, 1973, cat. 29 (ill.).
Washington, D.C., Phillips Collection, Impressionists on the Seine: A Celebration of Renoir’s “Luncheon of the Boating Party,” Sept. 21, 1996–Feb. 23, 1997, cat. 50 (ill.).
Ottawa, National Gallery of Canada, Renoir’s Portraits: Impressions of an Age, June 27–Sept. 14, 1997, not in cat.; Art Institute of Chicago, Oct. 17, 1997–Jan. 4, 1998; Fort Worth, Tex., Kimbell Art Museum, Feb. 8–Apr. 26, 1998 (Chicago only).
London, National Gallery, Renoir Landscapes, 1865–1883, Feb. 21–May 20, 2007, cat. 49 (ill.); Ottawa, National Gallery of Canada, June 8–Sept. 9, 2007; Philadelphia Museum of Art, Oct. 4, 2007–Jan. 6, 2008.
Fort Worth, Tex., Kimbell Art Museum, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–Nov. 2, 2008, cat. 27 (ill.).

Durand-Ruel, Paris, Sept. 24, 1886 [per Durand-Ruel, Paris, stock book for 1884–90 (no. 1340, Au bord du lac), as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, Oct. 5, 2010, curatorial object file]; acquired by Durand-Ruel, New York, about 1888 [per Durand-Ruel, New York, stock book for 1888–91 (no. 141, Au bord du lac), as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, Oct. 5, 2010, curatorial object file]; sold to Potter Palmer (d. 1902), Chicago, Mar. 2, 1892, for $900. [per Durand-Ruel, New York, stock book for 1888–93 (no. 197, Au bord du lac), as confirmed by Paul-Louis Durand-Ruel and Flavie Durand-Ruel, Durand-Ruel Archives, Oct. 5, 2010, curatorial object file]; by decent to the Palmer family; given to the Art Institute of Chicago, 1922.

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

On View

Status

Department

Artist

Title

Place

Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Medium

Inscriptions

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.

Explore Further

Suggested Terms

See all hours

On View

Date:

Artist:

About this artwork

Status

Department

Artist

Title

Place

Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Medium

Inscriptions

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

Extended information about this artwork

Publication History

Exhibition History

Provenance

Multimedia

Share

Explore Further

Related artworks

Sign up for our enewsletter to receive updates.

Gallery actions

Image actions

Share

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.