Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Purchased with funds provided by Mrs. Leigh B. Block
Copyright Condé Nast Publications, Inc.
Extended information about this artwork
Penn, Irving. 1960. “Moments Preserved.” Simon and Schuster. p. 34. (other print of this image)
Galleria Civica d’Arte Moderna, Turin. 1975. “I platini di Irving Penn: 25 anni di fotografia.” Exh. cat. Galleria Civica d’Arte Moderna/Ages Arti Grafiche. p. 23. (other print of this image)
Foresta, Merry A. and William F. Stapp. 1990. “Irving Penn: Master Images.” Exh. cat. National Museum of American Art and National Portrait Gallery/Smithsonian Institution Press. p. 38, cat. 25. (other print of this image)
Penn, Irving. 1991. “Passage: A Work Record.” Knopf. p. 83. (other print of this image)
Westerbeck, Colin. 1997. “Irving Penn: A Career in Photography.” Exh. cat. Art Institute of Chicago/Bulfinch Press. p. 179, cat. 67.
Greenough, Sarah. 2005. “Irving Penn: Platinum Prints.” Exh. cat. National Gallery of Art/Yale University Press. pl. 23. (other print of this image)
Keaney, Magdalene. 2010. “Irving Penn Portraits.” Exh. cat. National Portrait Gallery, London. p. 43, pl. 14. (other print of this image/variant in gelatin silver)
Eskildsen, Ute. 2012. “Der Mensch und seine Objekte.” Exh. cat. Museum Folkwang/Steidl. p. 109. (other print of this image/variant in gelatin silver)
Art Institute of Chicago, “Irving Penn, A Career in Photography,” November 22, 1997–February 1, 1998; traveled to St. Petersburg, Russia, State Hermitage Museum, March 1–May 16, 1998; Hamburg, Germany, Deichtorhallen, June 18–September 6, 1998; Munich, Germany, Müchner Stadtmuseum, October 6, 1998–February 21, 1999; San Francisco, California, Friends of Photography/Ansel Adams Center for Photography, November 11, 1999–January 23, 2000; Museum of Fine Arts, Houston, March 25–June 4, 2000; Paris, France, Maison Européenne de la Photographie, September 13–November 5, 2000 (Chicago only). (Colin Westerbeck)
Marlborough Gallery, New York [then the artist’s representative], by September 1977; sold to the Art Institute, 1977.
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