Vessel with Painted Landscape

180 BCE–500 CE

Nazca
South coast, Peru

Status: On View, Gallery 136
Department: Arts of the Americas

Culture: Nasca
Title: Vessel with Painted Landscape
Place: Peruvian South Coast (Object made in)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 180 BCE–500 CE
Medium: Ceramic and pigment
Dimensions: 19.8 × 15.5 cm (7 13/16 × 6 1/8 in.)
Credit Line: Kate S. Buckingham Endowment
Reference Number: 1955.2137
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/91415/manifest.json

Walter Lehmann and Heinrich Ubbelohde-Doering, Kunstgeschichte des Alten Peru (Tübingen, Germany: Ernst Wasmuth Verlag, 1924), pl. VI. (color ill.).
Walter Lehmann and Heinrich Ubbelohde-Doering, The Art of Old Peru (London: E. Benn, 1924), pl. VI. (color ill.)
Heinrich Ubbelohde-Doering, Old Peruvian Art (New York: E. Weyhe, 1936), pl. VI. (color ill.).
Walter Lehmann and Heinrich Ubbelohde-Doering, The Art of Old Peru (New York: Hacker Art Books, 1975), pl. VI. (color ill.).
Richard Townsend, “Deciphering the Nazca World: Ceramic Images from Ancient Peru,” Art Institute of Chicago Museum Studies 11, 2 (Spring 1985), pg. 128 (ill. photograph and line drawing).
Richard Townsend, ed., The Ancient Americas: Art from Sacred Landscapes, exh. cat. (Art Institute of Chicago/Prestel Verlag, 1992), pp. 298, 379 (ill.).
Richard Townsend with Elizabeth Pope, Indian Art of the Americas at the Art Institute of Chicago (Chicago: Art Institute of Chicago, 2016), 295, cat. 240.

Art Institute of Chicago, The Ancient Americas: Art from Sacred Landscapes, October 10, 1992–January 3, 1993, cat. 197, pp. 298, 379; traveled to Houston, Museum of Fine Arts, February 4–April 18, 1993, and Los Angeles County Museum of Art, June 6–August 15, 1993.
Zurich, Switzerland, Museum Rietberg Zurich, Nasca: Geheimnisvolle Zeichen im Alten Peru, June 20–October 3, 1999, cat.; traveled to Vienna, Museum fur Volkerkunde, October 29, 1999–January 31, 2000.

Eduard Gaffron (1861–1931), Lima, Peru, from 1892 to 1912, then Berlin, from 1912 [History of the Department report (Joanne Behrens, 1985) and correspondence in curatorial file]; by descent to his children Mercedes Gaffron (1908–1993), Berlin then Durham, NC, and Hans Gaffron (1902–1979), Berlin then Chicago [correspondence and documentation of the Gaffron Collection in curatorial file]; sold to the Art Institute of Chicago, 1955.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.