Date
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Kei Suzuki, comp. “Comprehensive Illustrated Catalog of Chinese Paintings (Chûgoku kaiga sôgô suroku)”, vol. 1: American and Canadian Collections (Tokyo: University of Tokyo Press, 1982), pl. A3-018. (as Zhang Sengyou)
-Osvald Siren, Chinese Painting: Leading Masters and Principles (New York:Ronald Press, 1956-58), vol.IV,p.30 (as Qian Xuan attribution), vol. VI, pl. 31, vol. VII, Lists, p.108 under Qian Xuan. Rated “B?”. -“A similar picture was in the former National Museum, Peking (1928).”
-James Cahill, An Index of Early Chinese Painters and Paintings (Berkeley, University of California Press, 1980), p. “Copy.”
-Kokka 259
Oertling, Sewell, “Ting Yun-peng…” Ph.D. diss. U. of Michigan, 1980, pp. 221-228 on subject of Washing the White Elephant (Sweeping the Elephant).
Julia Andrews, The Significance of Style and Subject Matter in the Painting of Cui Zizhong, Ph.D. Dissertation, University of California, Berkeley, 1984, pp.202-205.
Marsha Weidner ed., Latter Days of the Law (1994), p. 404.
王中旭, “传钱选《洗象图》真伪考辨——兼及晚明之前对《洗象图》的认识,” 故宮博物院院刊 191, no. 3 (2017), pp. 118-120
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