Landscape

• International Exhibition of Modern Art, exh. cat. (Association of American Painters and Sculptors, Inc., 1913), n.p., cat. 468 (as Paysage).
• International Exhibition of Modern Art, 2nd ed., exh. cat. (Association of American Painters and Sculptors, Inc., 1913), n.p., cat. 387.
• Arthur Jerome Eddy, Cubists and Post-Impressionists (A. C. McClurg, 1914), p. 85.
• Exhibition of Paintings from the Collection of the Late Arthur Jerome Eddy, exh. cat. (Art Institute of Chicago, 1922), p. 6, cat. 16 (color ill., as Marine Pont L’Abbé).
• Exhibition of the Arthur Jerome Eddy Collection of Modern Paintings and Sculpture, Part II of the Bulletin of the Art Institute of Chicago, XXV, no. 9 (Dec. 1931): p. 24, cat. 16.
• The Art Institute of Chicago: A Guide to the Paintings in the Permanent Collection (Art Institute of Chicago, 1932), p. 172 (as Marine: Pont L’Abbé).
• C. J. Bulliet, “The Eddy Gift to Chicago,” Creative Art 10 (March 1932), p. 216.
• José-Augusto França, Amadeo de Souza Cardoso (Editorial Sul, 1956), pp. 61; 63, cat. 8; n.p. (ill.).
• Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute of Chicago, 1961), p. 421 (as Marine: Pont L’Abbé).
• Milton W. Brown, The Story of the Armory Show (New York Graphic Society, 1963), pp. 100; 292, cat. 468 (as Paysage).
• 1913 Armory Show—50th Anniversary Exhibition 1963, exh. cat. (Munson-Williams-Proctor Institute, 1963), pp. 81; 205, cat. 468; n.p. (color ill.).
• José-Augusto França, Amadeo de Souza-Cardoso (Inquérito, 1972), p. 22, fig. 8 (ill.).
• Paulo Ferreira, “Amadeo de Souza-Cardoso: le météore portugais,” L’oeil: revue d’art mensuelle 244 (Nov. 1975), p. 33.
• Paris—New York, exh. cat. (Centre national d’art et de culture Georges Pompidou, 1977), p. 719 (as Paysage).
• A. James Speyer and Courtney Graham Donnell, Twentieth-Century European Paintings (University of Chicago Press, 1980), p. 71, no. 4A3 (microfiche ill., as Marine: Pont L’abbé, 1909).
• Amadeo de Souza-Cardoso: A Primeira Descoberta de Portugal: Na Europa no Século XX, exh. cat. (Fundação Calouste Gulbenkian, 1983), n.p. (ill. as Marine: Pont L’Abbé).
• Constance H. Schwartz, The Shock of Modernism: Modernism in America, exh. cat. (Nassau County Museum of Fine Art, 1984), p. 84, cat. 143 (color ill.).
• António Quadros Ferreira, “Amadeo de Souza-Cardoso – Descoberta de Portugal,” Jornal de Noticias, Apr. 18, 1985.
• José-Augusto França, Amadeo de Souza-Cardoso: o português à força & Alameda Negreiros: o português sem mestre (Bertrand, 1986), pp. 34 (ill.); 35.
• Paul Kruty, “Arthur Jerome Eddy and his Collection: Prelude and Postscript to the Armory Show,” Arts Magazine 61, no. 6 (February 1987): pp. 43; 46n34.
• José-Augusto França, “Amadeo de 1955 a 1987,” Colóquio artes: revista trimestral de artes visuais, música e bailado 73, 2nd series, 29th year (Jun. 1987), p. 7 (ill.).
• 1887–1987, Centenário do Nascimento de Amedeo de Souza Cardoso, exh. cat. (Fundação Calouste Gulbenkian, 1987), pp. 128–129 (color ill.).
• Milton W. Brown, The story of the Armory Show (Abbeville Press, 1988), p. 317.
• Amadeo de Souza Cardoso, 1887-1918 (Europália, 1991), p. 95, cat. 23 (color ill.).
• Amadeo de Souza Cardoso, 1887-1918 (Fundação de Serralves, 1992), p. 95, cat. 23 (color ill.).
• Paulo Ferreira, Amadeo de Souza Cardoso: Peintre Portugais 1887–1918 (Centre Culturel Calouste Gulkenkian, 1995), pp. 99, 133.
• Laurette E. McCarthy, “Walter Pach: Artist, Critic, Historian, and Agent of Modernism,” Ph.D. dissertation, University of Delaware, 1996, pp. 114; 126n58.
• Amadeo de Souza Cardoso, exh. cat. (Fundación Juan March, 1998), p. 79.
• At the Edge: A Portuguese Futurist, Amadeo de Souza Cardoso, exh. cat. (Corcoran Gallery of Art, 1999), pp. 32; 83; 88–89; 91; 92; 124 (color ill.); 191, cat. 9.
• Museu de Arte Contemporânea de Serralves, Mondrian/Amadeo: da paisagem à abstracção/from landscape to abstraction, exh. cat. (Museu de Arte Contemporânea de Serralves, 2001), p. 103.
• Cinco Pintores da Modernidade Portuguesa: 1911–1965, exh. cat. (Fundació Caixa Catalunya, 2004), p. 87, cat. 2 (color ill.).
• Amadeo de Souza Cardoso: Diálogo de Vanguardas/Avant-Garde Dialogues (Centro de Arte Moderna José de Azeredo Perdigão, Fundação Calouste Gulbenkian, 2006), pp. 15; 16; 35; 36; 41; 42; 341, cat. 6; 369; 370; 404; 407; 459; 462; n.p. (color ill.).
• Helena de Freitas, ed., Catálogo Raisonné: Amadeo de Souza Cardoso (Fundação Calouste Gulbenkian; Assírio & Alvim, 2008), pp. 167-170, cat. P31 (color ill.).
• Helena de Freitas, ed., Catálogo Raisonné: Amadeo de Souza Cardoso, 2nd ed. (Fundação Calouste Gulbenkian, 2016), pp. 167-170, cat. P31 (color ill.).

• New York, International Exhibition of Modern Art, Feb. 17–Mar. 15, 1913, cat. 468, as Paysage; Art Institute of Chicago, Mar. 24–Apr. 16, 1913, cat. 387.
• Art Institute of Chicago, Exhibition of Paintings from the Collection of the Late Arthur Jerome Eddy, Sept.19–Oct. 22, 1922, cat. 16 (as Marine).
• Art Institute of Chicago, Exhibition of the Arthur Jerome Eddy Collection of Modern Paintings and Sculpture, Dec. 22, 1931–Jan. 17, 1932, cat. 16 (as Marine: Pont L’Abbé).
• Utica, Munson-Williams-Proctor Institute, 1913 Armory Show—50th Anniversary Exhibition 1963, Feb. 17–Mar. 31, 1963, cat. 468 (as Paysage), 1912; New York, Armory of the 69th Regiment, Apr. 6–28, 1963.
• Roslyn, N. Y., Nassau County Museum of Fine Art, The Shock of Modernism: Modernism in America, Apr. 29–July 29, 1984, cat. 143 (as Marine: Pont L’Abbé).
• Lisbon, Fundação Calouste Gulbenkian, 1887–1987, Centenário do Nascimento de Amedoe de Souza Cardoso, July 20–Oct. 1987 (as Marine Pont L’Abbé).
• Brussels, Museum of Modern Art, Amadeo de Souza Cardoso, 1887-1918, Sept. 27–Dec. 8, 1991, cat. 23; Porto, Fundação de Serralves, Mar. 5–Apr. 19, 1992.
• Washington D. C., Corcoran Gallery of Art, At the Edge: A Portuguese Futurist, Amadeo de Souza Cardoso, Sept. 11–Nov. 28, 1999, cat. 9 (as Marine pont l’Abbé); Arts Club of Chicago, Jan. 20–Mar. 17, 2000.
• Porto, Museu de Arte Contemporânea de Serralves, Mondrian/Amadeo: da paisagem à abstracção/from landscape to abstraction, June 28–Oct. 14, 2001.
• Barcelona, Fundació Caixa Catalunya, Cinco Pintores da Modernidade Portuguesa, (1911–1965), Feb. 17–May 16, 2004, cat. 2 (as Marine Pont l’Abbé); Museu de Arte Moderna de São Paulo, June 24–Sept. 12, 2004.
• Lisbon, Centro de Arte Moderna José de Azeredo Perdigão, Fundação Calouste Gulbenkian, Amadeo de Souza Cardoso: Diálogo de Vanguardas/Avant-Garde Dialogues, Nov. 15, 2006–Jan. 14, 2007, cat. 6.
• Paris, Galeries nationales d’exposition du Grand Palais, Paris, Amadeo de Souza Cardoso, Apr. 20–July 18, 2016.

The artist; sold through Walter Pach, New York, to Arthur Jerome Eddy (1859-1920), Chicago, Apr. 10, 1913 [letter to the artist, May 2, 1913, Walter Kuhn papers, Archives of American Art, Smithsonian Institution, copy in curatorial object file; McCarthy 1996; Washington 1999]; by descent to his wife Lucy O. Eddy (1863-1931) and son Jerome O. Eddy (1891-1951), Chicago, 1920; given to the Art Institute of Chicago, 1931.