The Road to Market

• “Troyon,” L’Art: Revue bi-mensuelle illustrée, vol. 1 (1889), pl. XLVI.
• “Drift of the Dog Days,” The Collector 4, 16 (1893), p. 247.
• Art Institute of Chicago, Catalogue of Paintings, Sculpture, and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1894), p. 57, no. 36.
• “The Henry Field Memorial Collection,” Art Amateur 31, 6 (1894), p. 115.
• “Art Institute of Chicago: II – Modern Paintings: The Henry Field Collection,” Art Amateur 32, 1 (1894), p. 19.
• Art Institute of Chicago, Annual Report of the Trustees for the Year Ending June 4, 1895 (Chicago: Art Institute of Chicago, 1895), p. 37, no. 36.
• Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1895), p. 67–8, no. 36.
• Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1896), p. 74, no. 36.
• Art Institute of Chicago, Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1898), p. 94, no. 36 (ill.).
• William M. R. French, “The Permanent Collections in the Museum of the Art Institute of Chicago: I. Introduction,” Brush and Pencil 1, 4 (1898), pp. 81, 86 (ill.); reprinted, Charles Francis Browne, Brush and Pencil: A Magazine of Art, September 1897–March 1898, vol. 1 (Chicago: Phillips & Company, 1898), p. vi.
• Charles Francis Browne, “The Permanent Collections in the Museum of the Art Institute of Chicago: IV. The Henry Field Memorial Collection,” Brush and Pencil 2, 1 (1898), p. 5, no. 36 (ill.).
• “Chicago, ILL.: The Art Institute of Chicago,” in American Art Annual 1898 (London: Macmillan & Co., 1899), p. 140, no. 36.
• Louis Souillé, Peintures, pastels, aquarelles, dessins de Constant Troyon: Relevés dans les catalogues de ventes (Paris: Louis Souillé, 1900), p. 146.
• Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1901), p. 163, no. 136 (ill.).
• Frederick Clifton Pierce, Field Genealogy, vol. 2 (Chicago: Hammond Press, 1901), pp. 709, 713, no. 36.
• N. Hudson Moore, “The Barbizon School II,” The Chautauquan 36 (1903), p. 504.
• Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago: Art Institute of Chicago, 1904), p. 168, no. 136 (ill.).
• Karl Baedeker, The United States with an Excursion into Mexico: Handbook for Travellers, 3rd ed. (Leipzig: Karl Baedeker Firm, 1904), p. 351, no. 136; revised 4th edition, (Leipzig: Karl Baedeker Firm, 1909), p. 372, no. 136.
• Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1907), p. 180, no. 136 (ill.).
• Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago: Art Institute of Chicago, 1910), p. 171, no. 136 (ill.).
• Art Institute of Chicago, The Collections Illustrated (Chicago: Art Institute of Chicago, 1910), n. p. (ill.).
• Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects (Chicago: Art Institute of Chicago, 1913), p. 115, no. 136 (ill.).
• Art Institute of Chicago, General Catalogue of Paintings, Sculpture and Other Objects in the Museum (Chicago: Art Institute of Chicago, 1914), p. 119, no. 136 (ill.).
• Art Institute of Chicago, Catalogue of Paintings, Drawings, Sculpture and Architecture (Chicago: Art Institute of Chicago, 1917), p. 119, no. 136 (ill.).
• The New International Encyclopædia, vol. 22 (New York: Dodd, Mead and Company, 1918), p. 503.
• Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings (Chicago: Art Institute of Chicago, 1920), p. 25, no. 136.
• Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings (Chicago: Art Institute of Chicago, 1922), p. 25, no. 136.
• Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago: Art Institute of Chicago, 1923), p. 25, no. 136.
• Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), pp. 49 (ill.), 155, no. 136.
• Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), pp. 45 (ill.), 174.
• Friedrich von Boetticher, Malerwerke des Neunzehnten Jahrhunderts, vol. 2, pt. 2 (Leipzig: Schmidt & Günther, 1944), p. 901, no. 19.
• Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), p. 455.
• Valentina B. Berezina, The Hermitage Catalogue of Western European Painting: French Painting: Early and Mid-Nineteenth Century (New York: Johnson Reprint/Harcourt Brace Jovanovich, 1983), p. 451, under no. 419.
• Eric Zafran, Santa Barbara Collects: Impressions of France, exh. cat. (Santa Barbara: Santa Barbara Museum of Art, 1998), p. 122, under no. 65.

Chicago, World’s Columbian Exposition, Fine Arts: Painting, Sculpture, Architecture, Decoration, 1893, cat. 2983.

E. Gaillard, Paris, by 1867; his sale for 7,000 francs [sale according to Narischkine sale catalogue, cited below; price according to Souillé 1900]. B. Narischkine, Paris, by 1883; his sale, Galerie George Petit, April 5, 1883, lot 83 as La Route du marché for 42,500 francs to Arnold & Tripp [price and buyer according to an annotated copy of the sale catalogue in the Rijksbureau voor Kunsthistorische Documentatie, The Hague]; Arnold & Tripp, Paris. Henry Field (died 1890), Chicago; his widow Mrs. Florence Lathrop Field; given to the Art Institute, 1894.