Portrait of an Artist

• “Notes on Current Art,” Chicago Daily Tribune, July 6, 1890, p. 32.
• “Chicago an Art Center,” Chicago Daily Tribune, November 9, 1890, p. 1.
• E. W. Moes, Iconographia Batava: beredeneerde lijst van geschilderde en gebeeldhouwde portretten van Noord-Nederlanders in vorige eeuwen (Amsterdam, 1897), p. 377, no. 3140.
• Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago, 1901), p. 146, no. 13.
• Art Institute of Chicago, General Catalogue of Objects in the Museum (Chicago, 1904), p. 151, no. 13.
• Art Institute of Chicago, Important Facts Regarding the Art Institute of Chicago: with Reproductions of the Demidoff Masterpieces (Chicago, 1905), pp. 9, 12, ill.
• Art Institute of Chicago, General Catalogue of Sculpture, Paintings and Other Objects (Chicago, 1907), pp. 156, 162.
• E. W. Moes, Frans Hals: sa vie et son oeuvre (Brussels, 1909), pp. 82, 102, no. 39.
• C. Hofstede de Groot, A Catalogue Raisonné of the Works of the Most Eminent Dutch Painters of the Seventeenth Century Based on the Work of John Smith, vol. 3 (London, 1910), p. 57, no. 185.
• Wilhelm von Bode, Frans Hals: His Life and Work (Berlin, 1914), p. 48, no. 241, pl. 152b.
• Raymond Wyer, “Permanent Collections for Small Museums,” The International Studio 56 (1915), p. xxxix, ill.
• Art Institute of Chicago, Handbook of Sculpture, Architecture, Paintings, and Drawings (Chicago, 1920), p. 18, no. 13.
• Wilhelm R. Valentiner, Frans Hals: des Meisters Gemälde (Klassiker der Kunst) (Stuttgart, 1921), p. 204, ill.
• Art Institute of Chicago, Handbook of Sculpture, Architecture and Paintings (Chicago, 1922), p. 18, no. 13.
• Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago, 1923), p. 18, no. 13.
• Wilhelm R. Valentiner, Frans Hals: Des Meisters Gemälde (Klassiker der Kunst), 2nd, rev. ed. (Berlin, 1923), pp. 216, 319, ill.
• Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago, 1925), pp. 9, 138, ill.
• Alfred M. Frankfurter, “Paintings by Frans Hals in the United States,” Antiquarian 8 (1929), p. 34, ill.
• Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, (Chicago, 1932), pp. 15, 155, ill.
• Wilhelm R. Valentiner, Frans Hals Paintings in America (Westport, Connecticut, 1936), p. 12, no. 77, ill.
• Charles Fabens Kelley, “Chicago: Record Years,” Art News 51 (1952), p. 59.
• Art Institute of Chicago, Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), pp. 209–10.
• H. van Hall, Portretten van Nederlandse beeldende kunstenaars: repertorium (Amsterdam, 1963)
• Frederick A. Sweet, “Great Chicago Collectors,” Apollo 84 (1966), pp. 190–91, 193, fig. 10.
• C. C. Cunningham, “Note on a Portrait of a Lady by Frans Halls,” Art Institute of Chicago Museum Studies 5 (1970), p. 5.
• Claus Grimm and E. C. Montagni, L’opera completa di Frans Hals (Milan, 1974), p. 104, no. 164, ill.
• Seymour Slive, Frans Hals (London, 1970–[1974]), vol. 1, p. 160, vol. 2, pl. 251, vol. 3, pp. 83–84, no. 164.
• John D. Morse, Old Master Paintings in North America: Over 3000 Masterpieces by 50 Great Artists (New York, 1979), p. 164.
• Ellis Waterhouse, “Earlier Paintings in the Earlier Years of the Art Institute: The Role of the Private Collectors,” Art Institute of Chicago Museum Studies 10 (1983), p. 83.
• Peter C. Sutton, A Guide to Dutch Art in America (Washington D.C. and Grand Rapids, 1986), p. 51.
• “From the Archives: Photographs of the Art Institute of Chicago, 1893–1933,” Art Institute of Chicago Museum Studies 19 (1993), p. 18, ill.
• Larry J. Feinberg, “A Brief History of the Old Masters in the Art Institute of Chicago,” Art Institute of Chicago Museum Studies 32 (2006), p. 8.
• Celia Hilliard, “‘The Prime Mover’: Charles L. Hutchinson and the Making of the Art Institute of Chicago,” Art Institute of Chicago Museum Studies (2010), p. 43.

• Art Institute of Chicago, A Century of Progress: Exhibition of Painting and Sculpture, June 1–November 1, 1933, no. 63.
• Art Institute of Chicago, A Century of Progress: Exhibition of Painting and Sculpture, June 1–November 1, 1934, no. 91.
• The Detroit Institute of Arts, An Exhibition of Fifty Paintings by Frans Hals, January 10–February 28, 1935, no. 40.

Presumably Prince Anatole Demidoff, Villa San Donato, near Florence (died 1870); by descent to his nephew Prince Paul Demidoff (died 1885) and included in the sale of the contents of Villa San Donato, March 15, 1880, lot 1105, bought in; remained in the Demidoff collection, passing into the possession of Paul Demidoff’s widow, Helena Troubetskoi, Pratolino, near Florence; included in the group of 13 paintings from the Demidoff collection sold to trustees of the Art Institute through Durand-Ruel, Paris in 1890; purchase price reimbursed by Charles L. Hutchinson, 1894.