Black chalk on ivory laid paper, pieced and laid down on ivory laid card
Inscribed verso, lower center on mount, in graphite: Giulio Clovio
273 × 229 mm
The Leonora Hall Gurley Memorial Collection
Extended information about this artwork
Ulrich Middeldorf, “Three Italian Drawings in Chicago: Art in Chicago” 27 (1929), pp. 11-14, fig. 5 (as Giulio Clovio)
John A. Gere and Philip Pouncey, Italian Drawings in the Department of Prints and Drawings in the British Museum: Artists working in Rome c. 1550 to c. 1640, 2 vols. (London, 1983), vol. 1, pp. 58-59, nos. 69-70.
The Illustrated Bartsch, ed. Walter L. Strauss and Tomoko Shimura (New York, 1986), v. 52, p. 110, no. 92-I (engraving by Cornelis Cort after Clovio).
Philippe Costamagna, Maso da san Friano: La Pietà de l’église Florentine de Santa Maria dei Candelli Redécouverte (Paris, 1992), pp. 19, 22, no. 35.
Philippi Costamagna, “A propos du séjour Florentin de Giulio Blovio (1498-1578) in Kunst des Cinquecento in der Toskano” (Munich, 1992), pp. 168-75; p. 175, no. 20.
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 94-95, no. 119 (ill.).
The Art Institute of Chicago, “Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago,” April 10-June 22, 1997.
McCullagh & Giles 119
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