Tassel

Textiles

500/900

Nazca
South coast, Peru

Woven tassels were worn in pairs, attached to a long cord that wrapped around a person’s head, with one tassel falling to each side. Several dozen of these large and elaborately patterned tassels are known, all with the same shape and structure. The tassels were made via a complex technique that produced multiple interconnected layers and mirror-image symmetry. The complexity of Nazca textiles like these far exceeds functional or representational requirements, suggesting that there is symbolic meaning embedded in the structure itself.

Status: Currently Off View
Department: Textiles

Culture: Nasca
Title: Tassel
Place: Peru (Object made in:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: Made 500 CE–900 CE
Medium: Wool (camelid), oblique interlinked and interlaced warp (sprang); cross-knit looping over folded unworked warps; sides joined with wool (camelid) in overcast stitch
Dimensions: 36.8 × 24.1 cm (14 1/2 × 9 1/2 in.)
Credit Line: Kate S. Buckingham Endowment
Reference Number: 1955.1793a
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/85541/manifest.json

Mary Frame, “Nasca Sprang Tassels: Structure, Technique, and Order,” The Textile Museum Journal 25 (1987): 70, fig. 6.

Art Institute of Chicago, Super/Natural: Textiles of the Andes, Feb. 23-June 16, 2019, no cat.

Eduard Gaffron (1861–1931), Lima, Peru, from 1892 to 1912, then Berlin, from 1912 [History of the Department report (Joanne Behrens, 1985) and correspondence in curatorial file]; by descent to his children Mercedes Gaffron, Berlin then Durham, SC, and Hans Gaffron (1902–1979), Berlin then Chicago [correspondence and documentation of the Gaffron Collection in curatorial file]; sold to the Art Institute, 1955.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.