Tunic shoulder fragment

Textiles

A.D. 1000/1476

Chancay
Central coast, Peru

This panel features a checkerboard pattern of openwork squares and squares with crested birds or ducks in profile. The top and bottom borders are patterned with rows of anthropomorphic figures, perhaps felines or monkeys. The use of tapestry weave to create recognizable motifs, combined with the squares of openwork, demonstrates the artistry and talent of Andean weavers.

Status: Currently Off View
Department: Textiles

Culture: Chancay
Title: Tunic shoulder fragment
Place: Peru (Object made in)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: Made 1000–1476
Medium: Cotton and wool (camelid), slit and single dovetail tapestry weave; edged with weft-faced plain weave with extended weft cut fringe
Dimensions: 89.2 × 53.3 cm (35 1/8 × 21 in.)
Credit Line: Kate S. Buckingham Endowment
Reference Number: 1955.1757
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/85460/manifest.json

The Art Institute of Chicago, Department of Africa, Oceania, and the Americas, November 5, 1992- March 26, 1993
The Art Institute of Chicago, Department of Africa, Oceania, and the Americas, May 10- October 27, 1994
The Art Institute of Chicago, Department of African and Amerindian Art, March 18- July 30, 1997
The Art Institute of Chicago, Department of African and Amerindian Art, December 9, 2004- April 14, 2005
The Art Institute of Chicago, Gallery 136, Department of African and Amerindian, February 20-May 21, 2014

Eduard Gaffron (1861–1931), Lima, Peru, from 1892 to 1912, then Berlin, from 1912 [History of the Department report (Joanne Behrens, 1985) and correspondence in curatorial file]; by descent to his children Mercedes Gaffron, Berlin then Durham, SC, and Hans Gaffron (1902–1979), Berlin then Chicago [correspondence and documentation of the Gaffron Collection in curatorial file]; sold to the Art Institute, 1955.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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Department

Culture

Title

Place

Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Medium

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.