Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 416 (ill.).
A. James Speyer and Courtney Graham Donnell, Twentieth-Century European Paintings (Chicago, 1980), p. 69, pl. 3G7.
Daniela Fonti, Gino Severini: Catalogo ragionato (Milan, 1988), fig. 303.Christopher Green, The European Avant-Gardes (London, 1995), p. 465 (ill.).
Verviers, Belgium, Société des Beaux-Arts, La Peinture sous le signe d’Apollinare, October 22–November 5, 1950, p. 38, cat. 62; traveled to Gand, Belgium, Cercle Royal Artistique et Littéraire, November 11–26, 1950; and Brussels, Palais des Beaux-Arts, December 1950.
Tokyo, National Museum of Modern Art, Cubism, October 2–November 14, 1976, cat. 84; traveled to Kyoto, National Museum of Modern Art, November 23–December 19, 1976.
Florence, Palazzo Pitti, Gino Severini, June 25–September 25, 1983, pp. 102 (ill.), 175, cat. 57.
The Art Institute of Chicago, A Case for Wine, July11—September 20, 2009, no exhibition catalogue.
Galerie de l’Effort Moderne (Leonce Rosenberg), Paris, possibly acquired directly from the artist, by 1937 [letter from Ferdinand C. Graindorge, April 15, 1976, in curatorial file]; sold to Ferdinand C. Graindorge, Liège, Belgium, 1937-1954/55 [letter mentioned above]; sold to Theodore Schempp, Paris, November 1954–March 1955 [object data sheet completed by Theodore Schempp, May 22, 1975, in curatorial file]; sold to Mr. and Mrs. Daniel Saidenberg, New York, March 1955; given to the Art Institute, 1955.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email .