Page Serving Wine or The Painter's Apprentice

CC0 Public Domain Designation

Prints and Drawings

1530/40

Francesco Mazzola, called Parmigianino
Italian, 1503-1540

Status: Currently Off View
Department: Prints and Drawings

Artist: Parmigianino
Title: Page Serving Wine or The Painter's Apprentice
Place: Italy (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1530–1540
Medium: Pen and brown ink on tan laid paper, laid down on cream board
Inscriptions: Inscribed verso, lower center on mount, in pen and black ink (in "Gurley" hand): "Federigo Zuccaro. / 1543 - 1609"
Dimensions: 17.3 × 11.5 cm (6 13/16 × 4 9/16 in.)
Credit Line: The Leonora Hall Gurley Memorial Collection
Reference Number: 1922.1054
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/82607/manifest.json

Karl T. Parker and Jacques Mathey, Antoine Watteau: Catalogue Complet de son Oeuvre Dessiné, 2 vols. (Oxford, 1956).
Arthur Ewart Popham, Catalogue of the drawings of Parmigianino (New Haven, 1971), vol. 1, p. 60, no. 58 and vol. 3, pl. 441 (as “Parmigianino, a Youth, Senn from the Back, Standing in Front of a Pedestal, on which stand Three ewers and a Glass”).
Joachim Harold and Susanne Folds McCullagh, Italian Drawings of the 15th, 16th, and 17th Centuries, The Art Institute of Chicago (Chicago, 1979), p. 31, no. 17, pl. 21 and pp. 52-53, no. 2B8.
E. James Mundy, “A Long Lost Parmigianino Drawing Rediscovered,” Master Drawings 29 (1981), pp. 15-17.
Diane De Grazia, “Correggion and his Legacy: Further Observations,” Master Drawings 23-24 (1986), pp. 199-204.
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 171-72, no. 221 (ill.).

Art Institute of Chicago, “151 Italian Drawings from The Art Institute of Chicago,” Dec. 1979-Mar. 1980, cat. 17, pl. 21, cat. by Harold Joachim and Suzanne Folds McCullagh; also traveled to the National Gallery of Art, Washington D.C.
Art Institute of Chicago, “Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago,” Apr. 12-June 22, 1997.

Comte Moriz von Fries [embossed stamp (Lugt 2903) recto, lower left]. Dr. [J.B.] Ridley, Croydon, England; sold, Sotheby’s, London, April 2, 1912, part of lot 223, as “F. Zucchero”, to Maggs Bros., London. William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto, lower right in black]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, center on mount, in black].

McCullagh & Giles 221

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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