Virgin and Child with Saints John the Baptist and Roch

CC0 Public Domain Designation

Prints and Drawings

1530/45

Attributed to Benedetto Carpaccio
Italian, flourished c. 1520-1560

Status: Currently Off View
Department: Prints and Drawings

Artist: Benedetto Carpaccio
Title: Virgin and Child with Saints John the Baptist and Roch
Place: Italy (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1530–1545
Medium: Pen and brown ink, with brush and brown wash, over black chalk, on buff laid paper, laid down on ivory laid paper
Inscriptions: Inscribed recto, upper right, in pen and brown ink: "del Vivarino"; upper right, in graphite: "lira (?)"
Dimensions: 13.9 × 21.5 cm (5 1/2 × 8 1/2 in.)
Credit Line: The Leonora Hall Gurley Memorial Collection
Reference Number: 1922.1042
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/82587/manifest.json

Hans Tietze and E. Tietze-Conrat, The Drawings of the Venetian Painters in the 15th and 16th Centuries (New York, 1944), no. 643, pl. 24, fig. 1 (as “school of Carpaccio”).
Jan Lauts, Carpaccio Vittore, 1455-1525 Paintings and Drawings (London,1962), p. 278, no. 54 (as “the work of an immediate follower of Carpaccio’s).
Michelangelo Muraro, Carpaccio (Firenze, 1966), p. 11 (as attributed to Benedetto Carpaccio).
Michelangelo Murraro, I Disegni di Vittore Carpaccio (Firenze, 1977), p. 34, fig. 69 (as Benedetto Carpaccio).
Joachim Harold and Susanne Folds McCullagh, Italian Drawings of the 15th, 16th, and 17th Centuries, The Art Institute of Chicago (Chicago, 1979), p. 43, no. 1G12 (as Benedetto Carpaccio [?])
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 73-4, no. 90 (ill.).

Art Institute of Chicago, “151 Italian Drawings from The Art Institute of Chicago,” Dec. 1979-Mar. 1980, pp. 22-23, no. 5, pl. 8 (as Vittore Carpaccio [Studio]), cat. by Harold Joachim and Suzanne Folds McCullagh; also traveled to the National Gallery of Art, Washington D.C.
Art Institute of Chicago, “Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago,” Apr. 12-June 22, 1997.

Sold, Puttick & Simpson, London, May 15, 1914, part of lot 85, to William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto, lower right, in black]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, center on mount, in black].

McCullagh & Giles 90

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Virgin and Child with Saints John the Baptist and Roch

Currently Off View

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Artist:

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.