James Thrall Soby, Georges Rouault (New York, 1947), pp. 21-22, fig. 55.
Art Institute of Chicago, Paintings in the Art Institute of Chicago (Art Institute, 1961), p. 405.
El Mundo de Los Museos, Art Institute of Chicago (Madrid, 1967), p. 70 (ill.).
Bernard Dorival and Isabelle Rouault, Rouault: L’Oeuvre Peint (Monte-Carlo, 1988), vol. 1, p. 275, fig. 895.
Dalzell Hatfield Galleries, Los Angeles, Rouault, August 15–September 15, 1940, no. 13.
University of Chicago, Renaissance Society, Paintings and Prints by Georges Rouault, October 5–31, 1945, no. 10.
New York, Museum of Modern Art, Georges Rouault, 1947, no. 55.
New York, Museum of Modern Art, The School of Paris, Paintings from the Florence May Schönborn and Samuel A. Marx Collection, November 1, 1965-–January 2, 1966, no. 50; traveled to Art Institute of Chicago, February 11– March 27, 1966, St. Louis, City Art Museum, April 27–June 13, 1966, San Francisco Museum of Art, July 2–August 7. 1966, Mexico City, Museo de Art Moderno, August 30–October 2, 1966, and Denver Art Museum, October 25–November 25, 1966.
Tokyo, ASAHI Shimbun, Masterworks of Modern Art from The Art Institute of Chicago; traveld to Nagoaka, Niigata Prefectural Museum of Modern Art, April 20-May 29, 1994; Nagoya, Aichi Prefectural Museum of Art, June 10-July 24, 1994; Yokohama, Museum of Art, August 6-September 25, 1994.
Lugano, Museo d’Art Moderna, Georges Rouault, March 22- June 22, 1997.
Tokyo, Yasuda Kasai Museum, Georges Rouault, October 17-December 23, 1998; traveled to Gifu, Museum of Fine Arts, January 6-February 11, 1999; Shizuoka, Prefectural Museum, February 20-March 28 1999; Yamagata, Museum of Art, April 8-May 9, 1999.
Wildenstein & Co., New York, by April 6, 1943 [shipped to Mr. Marx c/o the Art Institute according to Receipt of Object form #8893, in curatorial file]; sold to Florene May Schönborn and Samuel A. Marx, Chicago, April 6, 1943 to 1954 [Receipt of Object form listed above]; given to the Art Institute, 1954.
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