Crucifixion

CC0 Public Domain Designation

Prints and Drawings

1524/27

Francesco Mazzola, called Parmigianino
Italian, 1503-1540

Status: Currently Off View
Department: Prints and Drawings

Artist: Parmigianino
Title: Crucifixion
Origin: Italy
Date: 1524–1527
Medium: Pen and brown ink on cream laid paper, prepared with pale orange wash, laid down on ivory wove card
Inscriptions: Inscribed recto, lower center on mount, in pen and brown ink (in J. Richardson, Sr.'s hand): "Parmeggiano"; lower right, in pen and brown ink (in J. Richardson, Sr.'s hand): "k. 242" Lansdown Ms 802); inscribed verso, upper center on mount, in pen and brown ink (in J. Richardson, Sr.'s hand): "D. 28"
Dimensions: 140 × 65 mm
Credit Line: The Leonora Hall Gurley Memorial Collection
Reference Number: 1922.857
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/82276/manifest.json

Albert E. Popham, “Sebastiano Resta and His Collections,” Old Master Drawings 11 (June 1936), pp. 1-19.
Sydney J. Freedberg, “Review of A. E. Popham, Catalogue of Drawings by Parmigianino,” Art Bulletin 55 (March 1973), pp. 148-50.
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), p. 170, no. 219 (ill.).

Art Institute of Chicago, “Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago,” Apr. 12-June 22, 1997.
Art Institute of Chicago, “151 Italian Drawings from The Art Institute of Chicago,” Dec. 1979-Mar. 1980, cat. 13, pl. 18, cat. by Harold Joachim and Suzanne Folds McCullagh; also traveled to the National Gallery of Art, Washington D.C.

Padre Sebastiano Resta (1635-1714), Milan (see Lugt 2992 and Lugt Suppl. 2993). Monsignor Giovanni Matteo Marchetti, Bishop oof Arezzo (died 1704), Arezzo (see Lugt 2911); bequeathed to his nephew, Cavaliere Orazio Marchetti, Pistoia; sold, probably through John Talman (died 1726), Hinkworth, Hertfordshire (see Lugt 2462), to John, Lord Somers, 1710 [script (Lugt 2981) recto, lower right, in pen and brown ink]; sold, London, Motteux, May 16, 1717. Walter T. Spencer, London [according to Gurley Card Index]. William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto, lower center, in black]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, lower center on mount, in black].

McCullagh & Giles 219

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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