Pen and brown ink with brush and light brown wash, over black chalk, on ivory laid paper, laid down on cream laid board
Inscribed recto, lower center, in pen and brown ink: "Luc Cangiage"; lower right, in pen and brown ink (partially erased): "Luchetto"; verso, lower right on mount, in pen and brown ink: "Cangiage / No. 12"
346 × 248 mm
The Leonora Hall Gurley Memorial Collection
Extended information about this artwork
Harold Joachim and Suzanne Folds McCullagh, Italian Drawings of the 15th, 16th, and 17th Centuries (Chicago and London, 1979), p. 37, no. 1F11 (as School of Luca Cambiaso).
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 56-7, no. 66 (ill.).
A. C. Drummond, London; sold, Sotheby’s, London, Nov. 5, 1912, part of lot 277, as “L. Cangiage, The Descent from the Cross,” to Maggs Bros., London. William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto, lower right, in black]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, center on mount, in black].
McCullagh & Giles 66
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