Pen and brown ink on cream laid paper, laid down on gray card
Inscribed recto, lower right, on mount, in graphite: "Corregio" [sic]; inscribed verso, center on mount, in pen and brown ink: "Mr. Provis' Sale at Chipperhorn May 1856"
120 × 196 mm
The Leonora Hall Gurley Memorial Collection
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Alessandro Ballarin, “Tre disegni: Palma il Vecchio, Lotto, Romanino (e alcune osservaazioni sul ruolo del Romanino al Buonconsiglio),” Arte Veneta 24 (1970), pp. 47-62.
Harold Joachim and Suzanne Folds McCullagh, Italian Drawings of the 15th, 16th, and 17th Centuries (Chicago, 1979), p. 87, no. 3C2 (as Anonymous, Sixteenth Century, Northern Italy).
Jane Martineau and Charles Hope, The Genius of Venice 1500-1600, exhibition cat., Royal Academy of Arts (London, 1983).
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), p. 167, no. 215 (ill.).
Unknown collector [paraphe (not in Lugt), verso, center, in pen and brown ink]. Mr. Provis; sold, Chipperhorn, May 1856 [according to inscription verso, center on mount, in pen and brown ink]. Dr. William Ogle, London; sold, Sotheby, Feb. 6, 1913, to William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto, lower right, in black]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, center on mount, in black].
McCullagh & Giles 215
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