Black chalk on ivory laid paper, laid down on ivory laid paper
Inscribed recto, lower left, in pen and brown ink: "a. Coregio" (...)
145 × 189 mm
The Leonora Hall Gurley Memorial Collection
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Giovanna Perini, “Sir Joshua Reynolds and Italian Art and Art Literature: A Study of the Sketchbooks in the British Museum and in Sir John Soane’s Museum,” Journal of the Warburg and Courtauld Institutes 51 (1988), pp. 141-68.
Giovanni Perini, “Sir Joshua Reynolds a Bologna (1752). Considerazioni preliminari ad un’edizione critica dei taccuini di viaggio basate sul taccuino conservato al Sir John Soane’s Museum di Londra,” Storia Dell’Arte 73 (1991), pp. 361-412.
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 330 and 332, no. 474 (ill.).
Sir Joshua Reynolds [stamp (Lugt 2364), recto, lower right, in black]. N. Hone [stamp (Lugt 2793), recto, lower right, in black]. A. M. Champernowne [script (Lugt 153), recto, lower right, in pen and black ink]; sold, Sotheby’s, London, Feb. 1, 1911, part of lot 253 (as Correggio), to Vallentin, London. William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto, lower left, in black]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, center on mount, in black].
McCullagh & Giles 474
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