In the Auvergne

• “A Great Sale of Pictures,” New York Times (April 9, 1892), p. 5.
• “Art Notes,” Critic 17, 530 (1892), p. 230.
• “The ‘American Art Association’s’ Sale of Pictures,” The Art Amateur 26, 6 (1892), p. 141.
• Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago: Art Institute of Chicago, 1922), p. 68, cat. 826.
• Art Institute of Chicago, Handbook of Sculpture, Architecture, and Paintings (Chicago: Art Institute of Chicago, 1923), p. 68, cat. 826.
• “Millets in the Art Institute,” Bulletin of the Art Institute of Chicago 18, 7 (1924), p. 89.
• Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1925), p. 146, no. 826.
• Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute of Chicago, 1932), p. 163.
• Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), pp. 313–14.
• Robert L. Herbert, “Millet Reconsidered,” Art Institute of Chicago Museum Studies 1 (1966), pp. 42, 51 (ill.), 62, fig. 21.
• André Fermigier, Jean-François Millet (Geneva: Skira, 1977), pp. 115 (ill.), 116.
• Richard Brettell, French Salon Artists 1800–1900 (Chicago: Art Institute of Chicago and New York: H. N. Abrams, 1987), pp. 84 (ill.), 85, 86 (ill.), 119.
• Bruce Laughton, “J.-F. Millet in the Allier and the Auvergne,” Burlington Magazine 130, 1022 (1988), p. 351, fig. 19.
• Kermit S. Champa, “The Rise of Landscape Painting in France,” in Kermit S. Champa, et. al., The Rise of Landscape Painting in France: Corot to Monet, exh. cat. (Currier Gallery of Art, Manchester, 1991),p. 40, no. 89.
• Deborah Johnson, “Confluence and Influence: Photography and the Japanese Print in 1850,” in Kermit S. Champa, et. al., The Rise of Landscape Painting in France: Corot to Monet, exh. cat. (Currier Gallery of Art, Manchester, 1991), pp. 89, 95, no. 89.
• James N. Wood, Impressionism and Post-Impressionism in the Art Institute of Chicago (Chicago: Art Institute of Chicago, 2000), p. 25 (ill.).
• Nathalie Roux and Françoise Gibert, Jean-François Millet: Voyages en Auvergne et Bourbonnais 1866–1868, exh. cat. (Musée d’Art Roger-Quilliot , Clermont-Ferrand, 2002), pp. 42 (detail), 43, 47 (ill.).
• Pauline Kohlsaat Palmer and Eleanor Dwight, The Letters of Pauline Palmer: A Great Lady of Chicago’s First Family (New York: Train/Scala Books, 2005), pp. 290 (ill.), 326.
• Gloria Groom and Douglas Druick, with the assistance of Dorota Chudzicka and Jill Shaw, The Age of French Impressionism (Chicago: Art Institute of Chicago and New Haven: Yale University Press, 2010), p. 51 (ill.), no. 15; reprinted (Chicago: Art Institute of Chicago and New Haven: Yale University Press, 2013).

• New York, Barye Monument Association, Barye and his Friends, November 15, 1889–January 15, 1890, no. 619.
• Paris, Galerie Georges Petit, Exposition de Chefs-d’œuvre de l’école française: Vingt peintres du XIXe siècle, May 2–31, 1910, no. 121.
• Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–November 1, 1933, cat. 253.
• Art Institute of Chicago, A Century of Progress: Exhibition of Paintings and Sculpture, June 1–November 1, 1934, cat. 198.
• New York, Marie Harriman Gallery, Constable and the Landscape, November 8–27, 1937, cat. 8.
• Paris, Galeries Nationales du Grand Palais, Jean-François Millet, October 17, 1975–January 5, 1976, cat. 214; traveled to London, Hayward Gallery, January 22–March 7, 1976, cat. 129.
• Tokyo, Seibu Museum of Art, The Impressionist Tradition: Masterpieces from the Art Institute of Chicago, October 18–December 17, 1985, cat. 14; traveled to Fukuoka, Fukuoka Municipal Museum of Art, January 5–February 2, 1986; Kyoto Municipal Museum of Art, March 4–April 13, 1986.
• Amsterdam, Rijksmuseum, Van Gogh & Millet, December 9, 1988–February 26, 1989, cat. 11.
• Manchester, New Hampshire, Currier Gallery of Art, The Rise of Landscape Painting in France: Corot to Monet, January 29–April 28, 1991, cat. 89; New York, IBM Gallery of Science and Art, July 30–September 28, 1991; Dallas Museum of Art, November 10, 1991–January 5, 1992; Atlanta, High Museum of Art, January 28–March 29, 1992.
• Amsterdam, Van Gogh Museum, Millet and Modern Art: Van Gogh to Dalí, October 4, 2019-January 12, 2020, fig. 32; St. Louis Art Museum, February 12-September 7, 2020.

Dekeus, Bruxelles [according to 1892 sale catalogue]. American Art Association, by 1890 [lent to New York 1889]; sold American Art Association, New York, April 7, 1892, lot 145 to Potter Palmer for $12,000, possibly with Knoedler as agent [buyer and price according to Art Amateur 1892; for Knoedler see New York Times 1892]; Potter Palmer (died 1902), Chicago; his widow, Bertha Honoré Palmer (died 1918); by descent to their sons Honoré and Potter Palmer; given to the Art Institute, 1922.