Necklace with Pendant

2nd-3rd century

Roman; probably Egypt

For both men and women in the Roman world, jewelry functioned as a visible sign of wealth, social standing,
and gender. Artists of the time created some works in accord with earlier Hellenistic and Etruscan preferences
for the extravagant and conspicuous use of gold. Over time, imperial expansion increased Romans’ access to a variety of valuable materials, leading to a distinctly Roman taste for jewelry incorporating color—typically in the form of gemstones or glass, as seen in this necklace.

Status: On View, Gallery 152
Department: Arts of Greece, Rome, and Byzantium

Culture: Ancient Roman
Title: Necklace with Pendant
Place: Roman Empire (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 101 CE–300 CE
Medium: Gold, garnet, and emerald
Dimensions: L. 35.6 cm (14 in.) (with clasp); pendant: h. 3.1 cm (1 1/4 in.)
Credit Line: Gift of Henry H. Getty and Charles L. Hutchinson
Reference Number: 1894.266
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/807/manifest.json

Thomas George Allen, A Handbook of the Egyptian Collection (Chicago: The Art Institute of Chicago, 1923), p. 112.
Louise Berge and Karen Alexander. “Ancient Gold Work and Jewelry from Chicago Collections.” The Ancient World Vol. 11, nos. 1 and 2 (1985), pp. 10, 23 (cat. 21), pl. II.
Nicola Barham, “Cat. 164 Necklace with Pendant: Curatorial Entry,” in Roman Art at the Art Institute of Chicago (Art Institute of Chicago, 2016).

Art Institute of Chicago, Ancient Art Galleries, Gallery 156A, April 20, 1994 - February 6, 2012.
Art Institute of Chicago, Of Gods and Glamour: The Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art, Gallery 152, November 11, 2012 - present.

The Art Institute of Chicago, acquired in Egpyt, 1894; price reimbursed by Henry H. Getty, Charles L. Hutchinson, Robert H. Fleming, and Norman W. Harris.

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.