The Three Skulls

• Roger Fry, Cézanne, A Study of His Development, (1927).
• Eugenio d’Ors, Paul Cézanne (Paris, 1930), p. 81, pl. XXIII.
• Maurice Raynal, Cézanne (Paris, 1936), no. 140, pl. CIV.
• Lionello Venturi, Cézanne: son art—son oeuvre, 2 vols. (Paris, 1936), 1:282, no. 1131, II:pl. 325.
• Daniel Catton Rich, “A Masterpiece in Watercolor by Cézanne.” The Art Institute of Chicago Quarterly, XLIII:3 (September 15, 1954), pp. 46-47 (ill).
• Alfred Neumeyer, Cézanne Drawings (New York, 1958), p. 54, pl. 63.
• Richard W. Murphy, The World of Cézanne (New York, 1968), pp. 105 and 107, fig. 127.
• Jiri Siblik, Cézanne (Prague, 1969), pl. 54.
• Gottfried Lindemann, “Prints and Drawings: A Pictorial History”, (Praeger Publishers, Inc. 1970), pp. 340 (ill.), 343.
• Richard Shone, The Post-Impressionists (London, 1979), p. 107 (ill.).
• Harold Joachim and Sandra Haller Olsen, French Drawings and Sketchbooks of the 19th Century, II (Chicago, 1979), pp. 14-15, no. 1C8.
• Diane Kelder, Great Book of French Impressionism (New York, 1980), pp. 389 (ill.) and 434.
• John Rewald, Paul Cézanne, The Watercolors, A Catalogue Raisonné (Boston, 1983), pp. 246-247, no. 611 (ill.).
• Nicholas Wadley, Impressionist and Post-Impressionist Drawing (London, 1991), fig. 66b.
• James N. Wood and Debra N. Mancoff, Treasures from The Art Institute of Chicago (New York, 2000), p. 230 (ill.).
• Carol Armstrong, Cézanne in the Studio: Still Life in Watercolors (Los Angeles, 2004), p. 65-67, pl. 9.
• Nicholas Wadley, Impressionist and Post-Impressionist Drawing (Lawrence King Ltd., 1991), p. 214 (ill.).
• Walter Feilchenfeldt, Jayne Warman, and David Nash, “Trois crânes, 1902–06 (FWN 1987),” The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. http://www.cezannecatalogue.com/catalogue/entry.php?id=1594 (accessed on February 1, 2019).

• Buffalo, N.Y., Albright Gallery, “The Nineteenth Century,” November 1-30, 1932, cat. 69 (ill.).
• New York, Jacques Seligmann Gallery, “Watercolors by Cézanne,” November 16-December 7, 1933, cat. 3.
• Paris, Musée de l’Orangerie, “De David à Toulouse Lautrec,” 1955, cat. 57, pl. 71.
• Milwaukee Art Institute, “Still Life Painting Since 1470,” September 1956, cat. 10 (ill.); traveled to the Cincinnati Art Museum, October, 1956.
• Santa Barbara Museum of Art, “Painted Papers: Watercolors from Dürer to the Present,” March 15-April 15, 1962, n.p., cat. 31 (ill.).
• New York, Knoedler and Company, “Cézanne Watercolors,” April 2-20, 1963, pp. 52-53, cat. 55, pl. LIII.
• St Louis, Mo., Washington University Gallery of Art, “Nineteenth and Twentieth Century Artists and Draughtsmen,” March 13–April 8, 1966, no cat.
• Washington, D.C., The Phillips Collection, “Cézanne: An Exhibition in Honor of the Fiftieth Anniversary of the Phillips Collection,” 1971, pp. 90-91, cat. 57 (ill.); traveled to The Art Institute of Chicago and The Museum of Fine Arts, Boston.
• Paris, Musée du Louvre, “Dessins français de l’Art Institute de Chicago de Watteau à Picasso,” October 15, 1976-January 17, 1977, n.p., cat. 63 (ill.).
• Frankfurt am Main, Germany, Städtische Galerie im Städelschen Kunstinstitut, “Französische Zeichnungen aus dem Art Institute of Chicago,” February 10-April 10, 1977, pp. 48-149, cat. 71 (ill.).
• New York, Museum of Modern Art, “Cézanne: The Late Work,” October 1977-January 1978, pp. 345 and 408, cat. 74, pl. 156, cat. by William Rubin, et. al.; traveled to Houston, Tex., The Museum of Fine Arts, January-March 1978.
• Paris, The Grand Palais, “Cézanne: Les Derniès Années (1895-1906),” April 20-July 23, 1978, p. 113, cat. 26.
• Paris, Galeries nationales du Grand Palais, “Cézanne,” 1996, pp. 489 and 493-494, cat. 215 (ill.); shown only at the Philadelphia Museum of Art, May 26-August 18, 1996.
• Los Angeles, Calif., J. Paul Getty Museum, “Cézanne in the Studio: Still Life in Watercolors,” October 12, 2004-January 2, 2005, p. 66, cat. 9 (ill.).
• The Art Institute of Chicago, “Cezanne”, May 11 - September 5, 2022, pp. 41, 48-49 (fig. 1), 50-52, 56-59n17, 210, cat. 141 (ill.), cat. by Achim Borchardt-Hume, Gloria Groom, et. al.

Ambroise Vollard (1867-1939), Paris [Venturi 1936; a letter from Walter Feilchenfeldt of April 19, 2002, in the curatorial file]; sold to Jacques Seligmann, Paris and New York, by 1933 [New York 1933 and Feilchenfeldt letter mentioned above]. Justin K. Thannhauser (1892-1976), Lucerne, by 1936 [Venturi 1936 and Feilchenfeldt letter]. Ambroise Vollard, to 1939 [Feilchenfeldt letter]; Vollard’s estate; Martin Fabiani, Paris [Feilchenfeldt letter]; sold to Marianne Feilchenfeldt, Zürich, 1954 [Feilchenfeldt letter]; sold to the Art Institute, 1954.