Poncho Displaying Contorted Figures

CC0 Public Domain Designation

Textiles

c. 200-150 BCE

Paracas
South coast, Peru

Status: Currently Off View
Department: Textiles

Culture: Paracas
Title: Poncho Displaying Contorted Figures
Place: Peru (Object made in)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: c. 200 BCE–150 BCE
Medium: Wool (camelid), plain weave; embroidered in stem stitches; edged with cross-knit loop stitches; loop and plied fringes
Credit Line: Edward E. Ayer, Harriott A. Fox, and Samuel P. Avery Endowments
Reference Number: 1958.292
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/7997/manifest.json

Bessie Bennett, “Exhibition of Pre-Incan Fabrics and Ornaments,” Bulletin of the Art Institute of Chicago 46, 2 (Feb. 1932): 18, fig. 1.
Junius Bird and Louise C. Bellinger, Paracas Fabrics and Nazca Needlwork, 3rd century BC-3rd Century AD (Washington, DC: The Textile Museum, 1954)a, 30.
Christa Charlotte Mayer, Masterpieces of Western Textiles from The Art Institute of Chicago, exh. cat. (Chicago: Art Institute of Chicago, 1969), 12-13, pl. 1.
Virginia Churchill Bath, Embroidery Masterworks: Classic Patterns and Techniques for Contemporary Application (Henry Regnery Company, 1972), 1-4, pl. 1.
Anne Paul, “The multiple layers of meaning in a Paracas Necropolis Textile,” in Approaching Textiles, Varying Viewpoints: Proceedings of the Seventh Biennial Symposium of the Textile Society of America, ed. Ann Lane Hedlund (Textile Society of America, 2001), 210-20.
Anne Paul, “Las múltiples capas de significación de un tejido Paracas Necrópolis,” in Actas: II Jornadas Internacionales Sobre Textiles Precolombinos, ed. Victòria Solanilla Demestre (Universitat Autònoma de Barcelona, 2002), 178-89.
Ann Pollard Rowe, “A Paracas Mantle,” Hali 147 (July-Aug. 2006), color pl. 3.
Richard Townsend with Elizabeth Pope, Indian Art of the Americas at the Art Institute of Chicago (Chicago: Art Institute of Chicago with Yale University Press, 2016), 284, cat 226.

Art Institute of Chicago, Peruvian Garment Embroideries, Jan. 20-Apr. 1, 1932, no cat.
Art Institute of Chicago, Masterpieces of Western Textiles, Jan. 25-Mar. 2, 1969.
Art Institute of Chicago, Elizabeth F. Cheney and Agnes Allerton Textile Galleries, Mexican, Central, and South American Textiles: A Living Legacy, Oct. 28, 1992-Jan. 17, 1993.
Art Institute of Chicago, Department of African and Amerindian Art, Aug. 24-Dec. 8, 2004.
Art Institute of Chicago, Super/Natural: Textiles of the Andes, Feb. 23-June 16, 2019, no cat.

Unknown owner, by 1932 [on loan to the Art Institute of Chicago, Bennett 1932, fig. 1]. Nasli and Alice Heeramaneck, Heeramaneck Gallery, New York, by 1953 [Rowe 2006, 147; incoming receipt RX2532, May 20, 1958; copy in curatorial file]; sold to the Art Institute of Chicago, 1958.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.