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Bessie Bennett, “Exhibition of Pre-Incan Fabrics and Ornaments,” Bulletin of the Art Institute of Chicago 46, 2 (Feb. 1932), 18, fig. 1.
Christa Charlotte Mayer, Masterpieces of Western Textiles from The Art Institute of Chicago, exh. cat. (Art Institute of Chicago, 1969), pp. 12-13, pl. 1.
Virginia Churchill Bath, Embroidery Masterworks: Classic Patterns and Techniques for Contemporary Application (Henry Regnery Company, 1972), color pl. 1 and pp. 1-4.
Anne Paul, “The multiple layers of meaning in a Paracas Necropolis Textile,” in Approaching Textiles, Varying Viewpoints: Proceedings of the Seventh Biennial Symposium of the Textile Society of America, ed. Ann Lane Hedlund (Textile Society of America, 2001), pp. 210-20.
Anne Paul, “Las múltiples capas de significación de un tejido Paracas Necrópolis,” in Actas: II Jornadas Internacionales Sobre Textiles Precolombinos, ed. Victòria Solanilla Demestre (Universitat Autònoma de Barcelona, 2002), pp. 178-89.
Ann Pollard Rowe, “A Paracas Mantle,” Hali 147 (July-August 2006), color pl. 3.
Richard Townsend with Elizabeth Pope, Indian Art of the Americas at The Art Institute of Chicago (The Art Institute of Chicago with Yale University Press, 2016), pp. 284, cat 226.
Art Institute of Chicago, Peruvian Garment Embroideries, Jan. 20-April 1, 1932, no cat.
Art Institute of Chicago, Masterpieces of Western Textiles, Jan. 25-Mar. 2, 1969.
Art Institute of Chicago, Mexican, Central, and South American Textiles: A Living Legacy, Oct. 28, 1992-Jan. 17, 1993.
Art Institute of Chicago, Department of African and Amerindian Art, Aug. 24-Dec. 8, 2004.
Unknown owner, by 1932 [loaned to 1932 exhibition at AIC, see Bennett 1932, fig. 1]. Heeramaneck Galleries [Nasli and Alice Heeramaneck], NY, by 1954 [referenced in Bird and Bellinger 1954, 39 and 29-30 (not illustrated); incoming Receipt RX2532 dated May 20, 1958 in curatorial file]; sold to the Art Institute of Chicago, 1958.
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