Rue Transnonain, on April 15, 1834

A work made of lithograph in black on grayish-ivory china paper laid down on ivory wove paper.
CC0 Public Domain Designation

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  • A work made of lithograph in black on grayish-ivory china paper laid down on ivory wove paper.


October 2, 1834


Honoré Victorin Daumier
French, 1808-1879

About this artwork

The intimate dramas playing out in this gallery draw their emotional power from the vulnerability of the exposed human form. Featured in these voyeuristic prints and drawings are private scenes of tragedy, tenderness, and horror, as artists intruded upon such previously forbidden settings as the bedroom, the deathbed, and the crime scene. While Félix Vallotton’s Intimacy woodcuts address the theme of undressing, with John Sloan’s playful Turning Out the Light and Gustav Klimt’s Seated Woman verging into the erotic, other images depict serious illnesses and the deaths of family members, especially children, which were commonplace events throughout the 19th century.

Making an explicit connection between sex and death is Otto Dix’s Murder, which pairs a bloody corpse with two dogs in the act of copulation. The Northern European artists Käthe Kollwitz and Edvard Munch drew on personal experiences for their devastating images of loss, seen here in stark scenes of grief. Kollwitz and the caricaturist Honoré Daumier (in an unusually somber mood) used similar iconographies of partially exposed corpses to make political statements: Daumier criticized the contemporary French government’s excessive response to a lower class riot in his Rue Transnonian, while Kollwitz drew on her own socialist sympathies in evoking war horrors in Raped, part of her series about the disastrous 1525 German Peasants’ War. The scattered feet of the family members in Daumier’s Transnonian and the nearly invisible child’s head to the left of Kollwitz’s splayed female body remind the viewer of these scenes’ universal themes.

Currently Off View

Prints and Drawings


Honoré-Victorin Daumier


Rue Transnonain, on April 15, 1834






Lithograph in black on grayish-ivory China paper laid down on ivory wove paper


286 × 442 mm (image); 363 × 550 mm (sheet)

Credit Line

The Charles Deering Collection

Reference Number


Extended information about this artwork

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email .


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