View of Nepi

CC0 Public Domain Designation

Prints and Drawings

c. 1826

Jean-Baptiste-Camille Corot
French, 1796-1875

Status: Currently Off View
Department: Prints and Drawings

Artist: Jean Baptiste Camille Corot
Title: View of Nepi
Place: France (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: Artist's working dates 1826
Medium: Graphite on off-white wove paper
Dimensions: 22.5 × 35.2 cm (8 7/8 × 13 7/8 in.)
Credit Line: Arthur Heun Fund
Reference Number: 1953.529
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/79893/manifest.json

Charles Desavary, Album de Facsimile d’après les Dessins de Corot (Arras, 1873) (ill.).
Alfred Robaut, L’Oeuvre de Corot, IV (Paris, 1905), no. 2504.
Ira Moskowitz, Great Drawings of All Time, III (New York, 1962), no. 745 (ill.).
Harold Joachim, French Drawings and Sketchbooks of the Nineteenth Century in The Art Institute of Chicago (Chicago, 1979), no. 2B6.

New York, Metropolitan Museum of Art, “French Drawings from American Collections: Clouet to Matisse,” February 3-March 15, 1959, cat. 97.
The Art Institute of Chicago, “Corot,” October 6-November 13, 1960, cat. 143.
New York, Wildenstein and Company, “Master Drawings from the Art Institute of Chicago,” October 17-November 30, 1963, n.p., cat. 85.
St Louis, Mo., Washington University Gallery of Art, “Nineteenth and Twentieth Century Artists and Draughtsmen,” March 13–April 8, 1966, no cat.
Dayton, Ohio, The Dayton Art Institute, “French Artists in Italy, 1600-1900,” October 15-November 28, 1971, cat. 46.
Palm Beach, Fla., Society of Four Arts, “Drawings from The Art Institute of Chicago,” January 5–27, 1974, cat. 6.
Paris, Musée du Louvre, “Dessins français de l’Art Institute de Chicago de Watteau à Picasso,” October 15, 1976-January 17, 1977, n.p., cat. 38 (ill.).
Frankfurt am Main, Germany, Städtische Galerie im Städelschen Kunstinstitut, “Französische Zeichnungen aus dem Art Institute of Chicago,” February 10-April 10, 1977, pp. 94-95, cat. 44 (ill.).
The Art Institute of Chicago, “Graphic Tours: Travel and Nineteenth Century Works on Paper,” January14-April 17, 1994.
Munich, Germany, Bayerische Staatsgemäldesammlungen, “Die Fruende der Natur- Barbizon und Seine Kunstler,” February 2-April 21, 1996.

Estate of the artist [according to Joachim 1979]. Sold by Frederic Strölin, Lausanne, to the Art Institute, 1953.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.