Date
Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Clemens Weiler, Alexej Jawlensky (Cologne, 1959), p. 230, fig. 60.
A. James Speyer and Courtney Graham Donnell, Twentieth-Century European Paintings (Chicago, 1980), p. 46-7, pl. 2B8.
Anne Mochon, Alexej Jawlensky: From Appearance to Essence (Long Beach, Calif., 1991), p. 22, fig. 10.
Maria Jawlensky, Lucia Pieroni-Jawlensky, and Angelica Jawlensky, Alexej von Jawlensky: Catalogue Raisonné of the Oil Paintings (London, 1991), vol. 1, pp. 266, 279, fig. 328.
M. Therese Southgate, “Girl with the Green Face,” Journal of the American Medical Association 285, no. 10 (2001), p. 1261.
Peter Schjeldahl, “The Beautiful and the Unexpected,” New Yorker, Feb. 27, 2017 (ill.), https://www.newyorker.com/magazine/2017/02/27/the-beautiful-and-the-unexpected.
University of Chicago, May 11-24, 1954.
Pasadena, Calif., Art Museum, Jawlensky Centennial, April 12–May 19, 1964, no. 19; traveled to Waltham, Mass., Brandeis University, Rose Art Museum, November 9-December 13, 1964.
Art Institue of Chicago, Mary and Earle Ludgin Collection, Sept. 11–Oct. 31, 1982.
Neue Galerie New York, Alexei Jawlensky, Feb. 16–May 29, 2017, cat. 18.
Mr. and Mrs. Earle Ludgin, Chicago, by 1953; given to the Art Institute, 1953.
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