Fatherly Discipline

CC0 Public Domain Designation

Prints and Drawings

1851/52

Honoré Victorin Daumier
French, 1808-1879

Status: Currently Off View
Department: Prints and Drawings

Artist: Honoré-Victorin Daumier
Title: Fatherly Discipline
Place: France (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1851–1852
Medium: Pen and black ink and brush and gray wash, with charcoal, on cream laid paper
Dimensions: 25.2 × 20 cm (9 15/16 × 7 7/8 in.)
Credit Line: Arthur Heun Fund
Reference Number: 1952.1108
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/78622/manifest.json

Arsene Alexandre, Honoré Daumier, l’Homme et l’Oeuvre (Paris, 1888), p. 377.
Erich Klossowski, Honoré Daumier (Munich, 1923), p. 115, no. 315.
Raymond Escholier, Daumier (Paris, 1930), pl. 51.
Eduard Fuchs, Der Maler Daumier Supplement (Munich, 1930), no. 339 (ill.).
The Art Institute of Chicago Quarterly 47 (November 15, 1953) (ill.).
Jean Adhémar, Honoré Daumier: Drawings and Watercolours (Basel, 1954), p. 17, no. 2 (ill.).
K. E. Maison, Honoré Daumier: Catalogue Raisonné of the Paintings, Drawings, and Watercolors (Greenwich, 1968), p. 232, no. 693, p. 269 .
John Maxon, The Art Institute of Chicago (London, 1970), pp. 155-156 (ill.).
Louis Provost, Honoré Daumier, A Thematic Guide to the Oeuvre (New York, 1989), p. 217.
Harold Joachim, French Drawings and Sketchbooks of the Nineteenth Century in The Art Institute of Chicago (Chicago, 1979), p. 44, no. 2D3.
Gottfried Lindemann, “Prints and Drawings: A Pictorial History”, (Praeger Publishers, Inc. 1970), pp. 297 (ill.), 303.

Paris, Galerie Durand-Ruel, “Daumier,” 1878, cat. 108.
Paris, La Caricature, “Daumier,” 1888, cat. 411.
Paris, Palais de l’École des Beaux-Arts, “Exposition Daumier,” May 1901, cat. 126.
Paris, Palais National des Arts, “Chefs d’Oeuvre de l’Art Français,” 1937, p. 291, cat. 628.
New York, Wildenstein and Company, “Master Drawings from The Art Institute of Chicago,” October 17-November 30, 1963, cat. 89.
Palm Beach, Fla., Society of Four Arts, “Drawings from The Art Institute of Chicago,” January 5–27, 1974, cat. 8.
Paris, Musée du Louvre, “Dessins français de l’Art Institute de Chicago de Watteau à Picasso,” October 15, 1976-January 17, 1977, n.p., cat. 42 (ill.).
Frankfurt am Main, Germany, Städtische Galerie im Städelschen Kunstinstitut, “Französische Zeichnungen aus dem Art Institute of Chicago,” February 10-April 10, 1977, pp. 84-85, cat. 39 (ill.).
Washington, D.C., The National Gallery of Art, “Daumier,” September 23-December 2, 1979.
Frankfurt, Germany, Städtische Galerie im Städelschen Kunstinstitut, “Honoré Daumier,” November 17, 1992-January 17, 1993, p. 128, cat. 43, cat. by Colta Ives, Margret Stuffmann and Martin Sonnabend, et. al.; traveled to New York, The Metropolitan Museum of Art, February 26-May 2, 1993.
Paris, Galeries Nationales du Grand Palais, “Daumier,” October 5, 1999-January 3, 2000, p. 319, cat. 169 (ill.).

Bernheim-Jeune, Paris [a letter from Carstairs Gallery, dated April 25, 1952, in the curatorial file]. Madame Bureau, Paris, to 1878 [according to Paris 1999]. Paul Bureau, Paris, by 1901 [Paris 1901]; sold, Galerie Georges Petit, Paris, May 20, 1927, lot 68, to Percy Moore Turner (1877-1950), London, for 40,000 francs [according to Paris 1999]; Percy Moore Turner, to at least 1937 [Paris 1937, exh. cat.]. Sold by Carstairs Gallery to the Art Institute, 1952.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.