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Pen and black ink and brush and gray wash, with charcoal, on cream laid paper
25.2 × 20 cm (9 15/16 × 7 7/8 in.)
Arthur Heun Fund
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Paris, Palais de l’École des Beaux-Arts, “Exposition Daumier,” May 1901, cat. 126.
Paris, Palais National des Arts, “Chefs d’Oeuvre de l’Art Français,” 1937, p. 291, cat. 628.
New York, Wildenstein and Company, “Master Drawings from The Art Institute of Chicago,” October 17-November 30, 1963, cat. 89.
Palm Beach, Fla., Society of Four Arts, “Drawings from The Art Institute of Chicago,” January 5–27, 1974, cat. 8.
Paris, Musée du Louvre, “Dessins français de l’Art Institute de Chicago de Watteau à Picasso,” October 15, 1976-January 17, 1977, n.p., cat. 42 (ill.).
Frankfurt am Main, Germany, Städtische Galerie im Städelschen Kunstinstitut, “Französische Zeichnungen aus dem Art Institute of Chicago,” February 10-April 10, 1977, pp. 84-85, cat. 39 (ill.).
Washington, D.C., The National Gallery of Art, “Daumier,” September 23-December 2, 1979.
Frankfurt, Germany, Städtische Galerie im Städelschen Kunstinstitut, “Honoré Daumier,” November 17, 1992-January 17, 1993, p. 128, cat. 43, cat. by Colta Ives, Margret Stuffmann and Martin Sonnabend, et. al.; traveled to New York, The Metropolitan Museum of Art, February 26-May 2, 1993.
Paris, Galeries Nationales du Grand Palais, “Daumier,” October 5, 1999-January 3, 2000, p. 319, cat. 169 (ill.).
Bernheim-Jeune, Paris [a letter from Carstairs Gallery, dated April 25, 1952, in the curatorial file]. Madame Bureau, Paris, to 1878 [according to Paris 1999]. Paul Bureau, Paris, by 1901 [Paris 1901]; sold, Galerie Georges Petit, Paris, May 20, 1927, lot 68, to Percy Moore Turner (1877-1950), London, for 40,000 francs [according to Paris 1999]; Percy Moore Turner, to at least 1937 [Paris 1937, exh. cat.]. Sold by Carstairs Gallery to the Art Institute, 1952.
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