Wood-block print printed twice in black and brown ink, with dry brush and gray and ocher watercolor, on cream Japanese paper
Image/sheet: 10.6 × 8.1 cm (4 3/16 × 3 1/4 in.)
Gift of the Print and Drawing Club
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The Art Institute of Chicago, Gauguin Prints (Chicago, 1959), n.p. (ill.).
Elizabeth Mongan, Eberhard W. Kornfeld, and Harold Joachim, Paul Gauguin: Catalogue Raisonné of His Prints (Bern, 1988), p. 160, no. 38.
Wadsworth Atheneum Museum of Art, Gauguin’s Nirvana: Painters at Pouldu 1889-90, exh. cat. (Hartford, Conn., 2001), pp. 122, 125, fig. 169.
June Hargrove, “Gauguin’s Maverick Sage: Meijer de Haan” in Visions: Gauguin and His Time (Amsterdam, 2010), pp. 100-101, fig. 10.
Paris, Galerie de la Pléiade, “Gauguin: Oeuvre Gravé,” May 26–June 14, 1931, cat. 29.
The Art Institute of Chicago, “Gauguin: Paintings, Drawings, Prints, Sculpture,” February 12-March 29, 1959, p. 87, cat. 173; traveled to the Metropolitan Museum of Art, New York, April 21-May 31, 1959.
Tate Modern, London, “Gauguin: Maker of Myth,” September 30, 2010–January 16, 2011, pp. 75, 84, fig. 12; traveled to National Gallery of Art, Washington D.C., February 27–June 5, 2011, cat. by Belinda Thompson, ed.
The Art Institute of Chicago, “Gauguin: Artist as Alchemist”, June 25 - September 10, 2017, pp. 45n20, 178, 187, cat. 116, cat. by Gloria Groom, et. al., traveled to Paris, Réunion des musées nationaux - Grand Palais, October 9, 2017 - January 21, 2018.
Georges Daniel de Monfreid (1856-1929, Paris) by the winter of 1896-97 [Guérin 1927] from the artist. Louis Huc (son-in-law of Monfreid) by 1931 [Paris 1931]. Sold by Gerald Cramer, Geneva, to the Art Institute, 1952.
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