Portrait of a Court Lady

CC0 Public Domain Designation

Painting and Sculpture of Europe

c. 1565

Follower of Antonis Mor (Netherlandish, c. 1517–c. 1576)

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Follower of Antonis Mor
Title: Portrait of a Court Lady
Place: Netherlands (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1560–1570
Medium: Oil on canvas
Dimensions: 95.8 × 77 cm (37 3/4 × 30 5/16 in.)
Credit Line: Gift of Chester Dale
Reference Number: 1951.314
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/75974/manifest.json

“Comparative Portrait Exhibition: Ehrich Galleries,” Art News 29, 15 (1931), p. 10.
Georges Marlier, Anthonis Mor van Dashorst (Antonio Moro), Brussels, 1934, p. 107, no. 85.
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection, 1961, p. 338.
Joanna Woodall, “The Portraiture of Antonis Mor,” Ph.D. diss., University of London, 1990, pp. 555, 649, under no. 46.
Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 267-70, ill.

Minneapolis Institute of Arts, Paintings by Old Masters, 1929, no. 25.
New York, Ehrich Galleries, Comparative Portrait Exhibition of Paintings by Dutch, Flemish, German, Italian, Spanish, French, English and American Old Masters, 1931, no. 9.
Martha Wolff in Martha Wolff et al., Northern European and Spanish Paintings before 1600 in the Art Institute of Chicago, Chicago, 2008, pp. 267-70, ill.

Marchese Alessandro Pallavicino, Duke Grimaldi; sold, Galerie Sangiorgi, Palazzo Pallavicino-Grimaldi, Genoa, Nov. 29–Dec. 2, 1899, no. 276, as Venetian School, to Murray [according to annotated catalogue at the library of the National Gallery of Art, Washington, D.C.]; Charles Fairfax Murray, London, from 1899; sold, Galerie Georges Petit, Paris, June 15, 1914, no. 21 [according to annotated catalogue at the Getty Research Institute, Los Angeles]. Julius Weitzner, London, by 1928; sold to Ehrich Galleries, New York, May 1928 [according to the Chester Dale Papers, Archives of American Art, Washington, D.C.];sold, American Art Association, Anderson Galleries, New York, Apr. 2, 1931, no. 66 (ill.), to John Levy Galleries; sold to Ehrich Galleries [Chester Dale Papers, Archives of American Art]; sold, American Art Association, Apr. 18–19, 1934, no. 43, to Chester Dale, New York, for $450 [Chester Dale Papers, Archives of American Art]; given to the Art Institute of Chicago, 1951.

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

Suggested Terms

Currently Off View

Date:

Artist:

About this artwork

Status

Department

Artist

Title

Place

Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Medium

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

Extended information about this artwork

Publication History

Exhibition History

Provenance

Share

Explore Further

Sign up for our enewsletter to receive updates.

Gallery actions

Image actions

Share

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.