Le Marquis de Puente-Fuerte

CC0 Public Domain Designation

Prints and Drawings

1761–62

Jean-Baptiste Perronneau
French, 1715-1783

Status: Currently Off View
Department: Prints and Drawings

Artist: Jean-Baptiste Perronneau
Title: Le Marquis de Puente-Fuerte
Place: France (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1761–1762
Medium: Pastel on paper
Inscriptions: Signed upper right, in graphite: “Perronneau pinx”
Dimensions: 69.9 × 56.5 cm (27 9/16 × 22 1/4 in.)
Credit Line: Robert A. Waller Memorial fund
Reference Number: 1951.225
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/75496/manifest.json

Maurice Tourneux, “Jean-Baptiste Perronneau,” (part III), Gazette des Beaux-Arts XV (Apr. 1, 1896), p. 315 (ill.).
Leandre Vaillat and Paul Ratouis de Limay, J.-P. Perroneau (1715–1783) sa Vie et Son Oeuvre (Paris, 1909), no. 183.
Léandre Vaillat and Paul Ratouis de Limay, J.-P. Perroneau (1715–1783) Sa Vie et Son Oeuvre (Paris and Brussels, 1923), p. 204, no. 29, 234.
Paul Ratouis de Limay, “L’Exposition de Pastels Francais du XVIIe et du XVIIIe Siecle,” Gazette des Beaux-Arts (January–June 1927), p. 333.
Émile Dacier and Paul Ratouis de Limay, Pastels Français des XVIIe et XVIIIe siècles (Paris and Brussels: Les Éditions G. van Oest, 1927), p. 95, no. 88, pls. 2 and 62.
Claude Roger-Marx, “Pastels Francais du XVIIe au XXe Siecle, “ L’Art Vivant, 179 (Dec. 1933), pp. 498–99 (ill.).
Daniel Catton Rich, “In a Minor Key,” The Art Institute of Chicago Quarterly 47:2 (Apr. 1, 1953), p. 34 (ill.).
Daniel Catton Rich, “In a Minor Key,” The Art Quarterly XVI:3 (Autumn 1953), p. 268–69 (ill.).
Paul L. Grigaut, “Portrait of an Eighteenth Century Nobleman,” Bulletin of the Detroit Institute of Arts, 36:1 (1956–57), p. 6.
Adolf Staring, “Hollandse werken van Liotard en Perronneau Een nalezing,” Oud Holland 74 (1959), p. 23, fig. 7.
Paintings in The Art Institute of Chicago (Chicago, 1961), p. 353.
Harold Joachim, French Drawings and Sketchbooks of the 18th Century (Chicago, 1979), no. 2D6.
Neil Jeffares, Dictionary of Pastellists before 1800 (Unicorn Press, 2006), p. 407 (ill.).
Dominique d’Arnoult, Jean-Baptiste Perronneau ca. 1715–1783: Un portraitiste dans l’Europe des Lumières (Arthena, 2014), pp. 280–281, no. 219 Pa (ill.).

Paris, Hôtel Jean Charpentier, “Exposition de Pastels Francais des XVIIe et XVIIIe siècles,” May 23–June 26, 1927, cat. 109.
Paris, André J. Seligmann, “Exposition du Pastel Français du XVIIe siècle à nos jours,” Nov. 18–Dec. 9, 1933, p. 36, cat. 40.
Art Institute of Chicago, “Selected Works of 18th Century French Art in the Collections of The Art Institute of Chicago,” Jan.–Mar. 28, 1976, pp. 58–59, cat. 48 (ill.).

The artist to Pablo Antonio de Barrenechea y Novia, marquis de Puente Fuerte (1719–1770), The Hague [d’Arnoult 2014]; by descent to his second wife, Maria Francisca Barbara Ana von Reischach (1734–1812) [d’Arnoult 2014]. Paul Sohège, Paris, to at least 1896 [Tourneux 1896]. Sigismond Bardac, Paris; sold, Galerie Georges Petit, Paris, May 10–11, 1920, Bardac sale, lot 29. Jules Strauss (1861–1943), Paris, by 1927–at least 1933 [Paris 1927; Paris 1933]. Sold by Cesar de Hauke (1900–1965), Paris, to The Art Institute of Chicago, 1951.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.