Equestrienne in Renaissance Dress

Painting and Sculpture of Europe

c. 1840

Antoine Louis Barye (French, 1795–1875)

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Antoine Louis Barye
Title: Equestrienne in Renaissance Dress
Place: France (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1835–1845
Medium: Bronze
Inscriptions: Marked: BARYE (handwritten into the original cast and appears on the proper left front of the self base); 2 MIROU (handpainted underneath base); 356 (handpainted underneath base); 710 (handwritten on paper label adhered underneath base)
Dimensions: 39.4 × 36.5 × 13 cm (15 1/2 × 14 3/8 × 5 1/8 in.)
Credit Line: Bequest of Arthur Rubloff
Reference Number: 1989.151
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/74048/manifest.json

American Art Galleries, The Collection of a Connoisseur: Art Treasures Collected by the Late Cyrus J. Lawrence, Esq. (New York: American Art Galleries, 1910), no. 360 (8).
Stuart Pivar, The Barye Bronzes: A Catalogue Raisonne (Woodbridge, England: Antique Collectors’ Club, 1974), p. 56, cat. F6.
Sotheby Parke Bernet, Inc., Antoine-Louis Barye Bronzes From the Collection of the Late Geraldine Rockefeller Dodge (October 29, 1975), lot 139.
Glenn F. Benge, Antoine-Louis Barye: Sculptor of Romantic Realism (University Park: Pennsylvania State University Press, 1984), pp. 101-02, fig. 87.
Michel Poletti and Alain Richarme, Barye: Catalogue raisonné des sculptures (Paris: Gallimard, 2000), p. 67, cat. F4.

Art Institute of Chicago, “Les Animaliers: Animal Subjects by French Sculptors, 1830–1900, from the Arthur Rubloff Collection,” 1 February – 31 March 1985 [no cat.].

American Art Association, New York, by 1921 [according to 1975 Sotheby’s sale cat.]. Geraldine Rockefeller Dodge (d. 1973), Madison, New Jersey, by 1973; sold, her estate sale, Sotheby Parke Bernet, Inc., New York, 29 October 1975, lot 139, to Arthur Rubloff (d. 1986), Chicago; bequeathed to the Art Institute, 1988; accessioned by the Art Institute, 1989.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.