“Revue des Ventes: Séquestre Kahnweiler,” Gazette de L’hôtel Drouot (November 19, 1921), p. 1, no. 32, as Nature Morte.
L.-Maurice Lang, ed. Annuaire des ventes de tableaux, dessins, aquarelles, pastels, gouaches, miniatures: guide du Marchand, de l’Amateur IV (Octobre 1921–fin Juillet 1922), p. 55.
Germain Seligmann, Merchants of Art, 1880-1960: Eighty Years of Professional Collecting (New York: Appleton-Century-Crofts, 1961), pl. 70a.
George Isarlov, Collection Orbes: Georges Braque 3 (Paris: José Corti, 1932), p. 19, no. 188.
Nicole Worms de Romilly and Jean Laude, Braque, le Cubism, fin 1907-1914 (Paris: Maeght, 1982), pp. 230 and 286, no. 218 (ill.), as Glass and Dice.
Judith Cousins and Hélène Seckel, “Chronology of Les Demoiselles d’Avignon, 1907 to 1939,” in Les Demoiselles d’Avignon, Studies in Modern Art 3 (New York: Museum of Modern Art, 1994), pp. 193-95, as Picasso, Le Jour.
Eduard Sebline, Jacques Doucet: Collecting Modernism 1912-1929, unpublished M.A. thesis, University of Edinburgh (Edinburgh, 2000), no. 3 (ill.).
The artist to Galerie Kahnweiler; sold, Hôtel Drouot, 2nd Kahnweiler sequestration sale, Nov. 17–18, 1921, lot 32, to Jacques M. Netter, Paris [Gazette de L’Hôtel Drouot, November 19, 1921]. Jacques Doucet (died 1929), Neuilly-sur-Seine, by 1928 [photograph probably taken by Pierre Legrain, 1928, copy in curatorial file]; by descent to his wife Mme. Doucet [identified as Picasso, Le Jour on receipt in Seligmann Records, Archives of American Art, Smithsonian Institution, Washington, D.C.]; sold to Jacques Seligmann and Company, Sept. 15, 1937 [receipt mentioned above and Porter Estate document, c. 1938–49, in curatorial file]; sold to Mima de Manziarly Porter, Chicago and New York, Nov. 2, 1937 [Porter Estate document mentioned above]; bequeathed to the Art Institute, 1989.
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email .