Still Life with Glass, Dice, Newspaper and Playing Card
France (Artist's nationality:)
Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Hôtel Drouot, Catalogue des Tableaux, Aquarelles, Gouaches et Dessins, sale cat. (Hôtel Drouot, Paris, November 17–18, 1921), p. 4 (lot 32), as Nature morte.
“Revue des Ventes: Séquestre Kahnweiler,” Gazette de L’Hôtel Drouot 30, 122 (November 19, 1921), p. 1 (no. 32), as Nature Morte.
Lang, L.-Maurice (ed.), Annuaire des ventes de tableaux, dessins, aquarelles, pastels, gouaches, miniatures: Guide du Marchand, de l’Amateur 4 (October 1921–July 1922), p. 55, as Nature Morte.
Isarlov, George, Georges Braque (Paris: José Corti, 1932), p. 19 (no. 188), as Verre et Dé.
Seligmann, Germain, Merchants of Art, 1880-1960: Eighty Years of Professional Collecting (New York: Appleton-Century-Crofts, 1961), n.p. (pl. 70a, ill.), as Le Jour, 1911.
Worms de Romilly, Nicole and Jean Laude, Braque, le cubisme, fin 1907-1914 (Paris: Maeght, 1982), pp. 230 (fig. 218, ill.), 286, as Verre et dé Jou, 1913.
Cousins, Judith and Hélène Seckel, “Chronology of Les Demoiselles d’Avignon, 1907 to 1939,” in Les Demoiselles d’Avignon, Studies in Modern Art 3 (New York: Museum of Modern Art, 1994), pp. 193-195, as Picasso, Le Jour.
Sebline, Eduard A., Jacques Doucet: Collecting Modernism 1912-1929 (M.A. thesis, University of Edinburgh, 2000), n.p. (no. 3, ill.), as Le Jour, c. 1911-13.
Fort Worth, Kimbell Art Museum, The Age of Picasso and Matisse: Modern Masters from the Art Institute of Chicago, Oct. 6, 2013–Feb. 16, 2014, no cat. no.
Galerie Kahnweiler, probably acquired directly from the artist [Kahnweiler photo no. 1184; Isarlov 1932]. Sold, to Jacques M. Netter, Paris, Hôtel Drouot, Kahnweiler sequestration sale, Nov. 17–18, 1921, lot 32. Jacques Douçet (died 1929), Neuilly-sur-Seine, by 1928 [photograph probably taken by Pierre Legrain, 1928, copy in curatorial file]; by descent to his wife Mme. Douçet; sold to Jacques Seligmann and Company, Sept. 15, 1937 [receipt, Seligmann Records, Archives of American Art, Smithsonian Institution, Washington, D.C.]; sold to Mima de Manziarly Porter, Chicago and New York, Nov. 2, 1937 [Porter Estate document, c. 1938–49, in curatorial file]; bequeathed to the Art Institute, 1989.
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