Pierre Alexandre Tardieu

CC0 Public Domain Designation

Prints and Drawings

c. 1825

Jean–Auguste–Dominique Ingres
French, 1780–1867

Status: Currently Off View
Department: Prints and Drawings

Artist: Jean Auguste Dominique Ingres
Title: Pierre Alexandre Tardieu
Place: France (Artist's nationality)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1815–1867
Medium: Graphite on cream wove paper, laid down on ivory laid paper, and stretched on a wooden stretcher
Inscriptions: Signed lower left: "Ingres à Monsieur Tardieu"
Dimensions: 24.2 × 18.6 cm (9 9/16 × 7 3/8 in.)
Credit Line: David Adler Memorial Fund
Reference Number: 1950.1513
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/72871/manifest.json

Galichon, “Artistes Contemporains: Pierre-Alexandre Tarbieu,” Gazette des Beaux-Arts, 14 (March 1863), p. 218.
Henri Delaborde, Ingres: Sa Vie, ses Travaux, sa Doctrine (Paris, 1870), no. 417.
Charles Blanc, Ingres, Sa Vie et Ses Ouvrages (Paris, 1870), pp. 54-55.
William McCallin McKee, “A Complete Collection of Ingres’s Graphic Work,” Bulletin of The Art Institute of Chicago (September 1928), p. 77.
Morton Zabel, “Ingres in America,” Arts, 16 (February 1930), pp. 369-82.

The Art Institute of Chicago, “Century of Progress Exhibition of Paintings and Sculpture,” 1933, cat. 910.
New York, Paul Rosenberg and Company, “Ingres in American Collections,” 1961, cat. 67.
New York, Wildenstein and Company, “Master Drawings from The Art Institute of Chicago,” October 17-November 30, 1963, n.p., cat. 79.
Palm Beach, Fla., Society of Four Arts, “Drawings from The Art Institute of Chicago,” January 5–27, 1974, cat. 28.

Mme. Henriette-Emile Tardieu (née Caprini). Mrs. Charles Netcher, Chicago, by 1933 [Chicago 1933]. Mrs. Joseph Bushkin, Chicago, by 1950 [as per letter by Helmut Ripperger of Knoedler and Company, to Hans Neaf in curatorial file]; sold to the Art Institute, 1950.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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