Study for the Resurrection

CC0 Public Domain Designation

Prints and Drawings

c. 1574

Santi di Tito
Italian, 1536-1603

Status: Currently Off View
Department: Prints and Drawings

Artist: Santi di Tito
Title: Study for the Resurrection
Place: Italy (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1572–1576
Medium: Pen and brown ink, and brush and brown wash, heightened with lead white (partially oxidized), over traces of black chalk, on tan laid paper
Inscriptions: Inscribed on former mount (Middeldorf 1938/40, no. 183): "A.13 di Santi di Titi Fiorentino"
Dimensions: 31.9 × 21.7 cm (12 9/16 × 8 9/16 in.)
Credit Line: The Leonora Hall Gurley Memorial Collection
Reference Number: 1922.5509
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/7134/manifest.json

Ulrich Middeldorf, “Old Master Drawings from the Fifteenth through the Eighteenth Centuries: Two Hundred Examples from the Collection of the Art Institute of Chicago, Selected and Described by Ulrich Middeldorf,” unpublished manuscript, Department of Prints and Drawings, The Art Institute of Chicago, 1938/40, no. 183.
Harold Joachim, Italian Drawings of the 15th, 16th, and 17th Centuries. Compiled by Suzanne Folds McCullagh and Sandra Haller Olsen (Chicago and London, 1979), p. 74, no. 2G1 (ill. microfiche).
Simona Lecchini Giovannoni e Marco Collareta, Disegni di Santi di Tito (1536-1603) (Florence, 1985), p. 29.
Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 222-23, no. 288 (ill.).

Art Institute of Chicago, “Italian Drawings in The Art Institute of Chicago,” pp. 38-39, no. 32, pl. 41, cat. by Harold Joachim and Suzanne Folds McCullagh; also traveled to the National Gallery of Art, Washington, D.C., 1979-80.
Oberlin, Seattle, Allen Memorial Art Museum, Oberlin College, “From Studio to Studiolo: Florentine Draftsmanship under the First Medici Grand Dukes,” October 14-December 1, 1991, cat. 42, cat. by Larry J. Feinberg, with an essay by Karen-Edis Barzman; also traveled to the Bowdoin College Museum of Art, January 27-March 15, 1992; and the Hood Museum of Art, Dartmouth College, April 6-May 24, 1992.
Art Institute of Chicago, “The Golden Age of Florentine Drawings: Two Centuries of Disegno from Leonardo to Volterrano,” May 26-July 1994, p. 70, under cat. 28; also traveled to the Kimbell Art Museum, Forth Worth, Texas; and the Frances Lehman Loeb Art Center at Vassar College, Poughkeepsie, New York (shown in Chicago only).
Art Institute of Chicago, “Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago,” Apr. 12-June 22, 1997.
Florence, Palazzo Strozzi, “The Medici, Michelangelo, and the Art of Late Renaissance Florence,” June 6-September 29, 2002; traveled to The Art Institute of Chicago, November 9, 2002-February 2, 2003; and the Detroit Institute of Arts, March 16-June 8, 2003, pp. 345-46, cat. 208 (ill.).

Peter Lely (1618-1680), London [stamp (Lugt 2092) recto, lower right, in black]. Prosper H. Lankrink (1628-1692) [stamp (Lugt 2090), recto lower right, in black]. William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto lower right, and verso lower center, in black]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso lower center, in black].

McCullagh & Giles 288

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.