Rembrandt Harmensz. van Rijn's etching of Adam and Eve, depicts the story of the first Man and Woman with descriptive, wiry lines that create an evocative atmosphere. Shown at the moment of temptation, the couple is surrounded by light that seems about to be blotted out by the dark tree branch and leering serpent (the devil) stretching ominously above them. With their fleshy bodies and ordinary faces (so far removed from Dürer's idealized pair), Rembrandt's Adam and Eve are easy to identify with; their confusion, temptation, and choice become ours.
George Biörklund, Rembrandt's Etchings: True and False (Stockholm, 1955), p. 70, no 38D (ill.).
Karel G. Boon, Rembrandt: The Complete Etchings, trans. by Elizabeth Willems-Treeman (New York, 1963), pl. 140.
G. W. Nowell-Usticke, Rembrandt's Etchings: States and Values (Narberth, Pa. 1967), n.p., no. B28 (ill.).
Christopher White, Rembrandt as an Etcher: A Study of the Artist at Work, 2 vols. (London, 1969), II: 248, pl. 35.
Christopher White and Karel G. Boon, Rembrandt's Etchings: An Illustrated Critical Catalogue, 2 vols. (Amsterdam, 1977), I: 13, no. 28, II:17 (ill.).
James N. Wood and Sally Ruth May, The Art Institute of Chicago: The Essential Guide (Chicago, 1993), p. 195 (ill.).
Stephanie S. Dickey (editor), Illustrated Bartsch 50: Rembrandt Harmensz. van Rijn (New York, 1993), p. 18, no. 28 (ill.).
The New Dictionary of the History of Ideas (Charles Scribner's Sons Publishers 2004).
Erik Hinterding and Jaco Rutgers, edited by Ger Luijten, The New Hollstein: Dutch and Flemish Etchings, Engravings and Woodcuts: 1450-1700. Rembrandt: Text II: 1636-1665, nos. 156-314(Amsterdam: Sound and Vision Publishers, 2013), p.27.
The Art Institute of Chicago, May 1, 1987-February 9, 1989 (Allerton gallery 209A).
The Art Institute of Chicago, February 14, 2004-May 9, 2004.
Adolf Schwartz, Amstelveen, Holland [invoice]. Sold by Robert Light, Santa Barbara, Calif., to the Art Institute, 1987.
Bartsch 28
White & Boon 28
Biörklund 38-D
Nowell-Usticke B28
Munz 177
Hind 159
Rovinskii 28
Seidlitz 28
Daulby 29
Claussin 34
Wilson, Rembrandt 35
Blanc 1
Boon 140
White 35
New Hollstein 168
Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email .