Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Washington, D.C., The National Gallery of Art, “Rodin Drawings: True and False,” November 20, 1971-January 23, 1972, cat. 92; traveled to New York, the Solomon R. Guggenheim Museum, March 9-May 14, 1972.
San Francisco, California Palace of the Legion of Honor, “Rodin: Drypoints, Illustrations, and Related Drawings,” June 7-August 10, 1975, cat. 142a; traveled to the Baltimore Museum of Art, October 14-November 23, 1975, and Cambridge Mass., the Fogg Art Museum, December 10, 1975-January 18, 1976.
Paris, Musée d’Orsay, “Alfred Stieglitz and His Circle: Modernity in New York, 1905–1930,” October 18, 2004-January 16, 2005, p. 84, cat. 56 (ill.); traveled to Madrid, Museo Nacional Centro de Arte Reina Sofia, February 10-May 17, 2005.
Williamstown, MA, Sterling and Francine Clark Art Museum, “Rodin in the United States: Confronting the Modern”, June 18 - September 18, 2022, traveled to Atlanta, High Museum of Art, October 21, 2022 - January 15, 2023, pp. 113 (ill.), 244, cat. 39, cat. by Anntoinette Le Normand-Romain and Christina Buley-Uribe, et. al.
Given by the artist to Mme. Steichen [inscription]; Edward Steichen (1879-1973). Alfred Stieglitz (1864–1946), New York, around 1908 or 1910 [according to McCauley 2001]; Stieglitz Estate (Georgia O’Keefe (1887–1986), executor); given to the Art Institute, 1949.
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