Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
New York, Little Galleries of the Photo-Secession at 291 Fifth Avenue,9 An Exhibition of Drawings and Photographs of Paintings by Henri Matisse, Feb. 23–Mar. 8, 1910, no cat.
New York, Little Galleries of the Photo-Secession at 291 Fifth Avenue,10 An Exhibition of Sculpture—the First in America—and Recent Drawings by Henri Matisse, Mar. 14–Apr. 6, 1912.
Philadelphia, Pennsylvania Academy of the Fine Arts, Exhibition of Paintings and Drawings by Representative Modern Masters, Apr. 17–May 9, 1920, cat. 154, as Drawing No. 2.
New York, An American Place, Beginnings and Landmarks: “291” 1905–1917, Oct. 27–Dec. 27, 1937, cat. 35, as Drawing No. 2, 1910.
Philadelphia Museum of Art, History of an American, Alfred Stieglitz: “291” and After, July 1–Nov. 1, 1944, cat. 55, as Nude Standing, 1910.
Chicago, Art Institute, Alfred Stiegltiz, His Photographs and His Collection, Feb. 2–29, 1948, no cat.
Los Angeles, University of California, Art Council, “Henri Matisse: Retrospective,” January 5– February 27, 1966, cat. 149, as Standing Nude; traveled to The Art Institute of Chicago, March 11–April 24, 1966 and Boston, Museum of Fine Arts, May 11–June 26, 1966.
Paris, Musee National d’Arte Moderne, “Henri Matisse: Dessins et Sculpture,” 1975, cat. 33.
Chicago, AIC, “Matisse: Radical Invention 1913–1917,” March 20–June 20, 2010, pp. 69 and 71, cat. 3m, cat. by Stephanie D’Alessandro
Alfred Stieglitz (1864–1946), New York, probably by Feb. 23, 1910; by descent to the Stieglitz Estate (Georgia O’Keefe (1887–1986), executor); given to the Art Institute, 1949.
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