Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
New York, Little Galleries of the Photo-Secession at 291 Fifth Avenue,19 An Exhibition of Sculpture—the First in America—and Recent Drawings by Henri Matisse, Mar. 14–Apr. 6, 1912.
New York, Armory of the 69th Regiment, “Armory Show,” February 17–March 15, 1913, cat. 414, as drawing.
Philadelphia, Pennsylvania Academy of the Fine Arts, Exhibition of Paintings and Drawings by Representative Modern Masters, Apr. 17–May 9, 1920, cat. 159, as Drawing No. 7.
Philadelphia Museum of Art, History of an American, Alfred Stieglitz: “291” and After, July 1–Nov. 1, 1944, cat. 56, as Nude Reclining, 1912.
Art Institute of Chicago, Alfred Stieglitz, His Photographs and His Collection, Feb. 2–29, 1948, no cat.
Utica, NY, Munson-Williams-Proctor Institute, “1913 Armory Show: 50th Anniversary Exhibition,” February 17–March 31, 1963, pp. 86 (ill.) and 197, cat. 414, as (1/6) Reclining Nude; traveled to New York, Armory of the 69th Regiment, April 6–28, 1963.
Washington, D.C., National Gallery of Art, “Modern Art and America: Alfred Stieglitz and his New York Galleries,” 2001, pp. 93, 96, and 191, pl. 12, as Female Nude Lying Face Down on a Table.
Paris, Musée d’Orsay, “Alfred Stieglitz et son cercle 1905–1930,” October 18, 2004–January 16, 2005, p. 105 (ill.), cat. 56, as Nu féminin à plat ventre sur une table, 1912; traveled to Madrid, Museo Nacional Centro de Arte Reina Sofia, February 10–May 17, 2005.
Chicago, AIC, “Matisse: Radical Invention 1913–1917,” March 20–June 20, 2010, pp. 158 and 159, cat. 17d, cat. by Stephanie D’Alessandro
Sold to Alfred Stieglitz (1864–1946), New York, by Mar. 1912 [according to Washington DC 2001]; by descent to the Stieglitz Estate (Georgia O’Keefe (1887–1986), executor); given to the Art Institute, 1949.
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