Evening—Mother and Boys

Photography and Media

1905

Clarence H. White
American, 1871–1925

For more on the Alfred Stieglitz collection at the Art Institute, along with in-depth object information, please visit the website: The Alfred Stieglitz Collection.

Status: Currently Off View
Department: Photography and Media

Artist: Clarence H. White
Title: Evening—Mother and Boys
Place: United States (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: Made 1905
Medium: Platinum print
Inscriptions: Signed recto, on second mount, lower right, below image, in graphite: Clarence H White; inscribed verso, upper left, in graphite: Bought White Exhibition, 1906
Dimensions: Image/paper: 24.6 × 19.3 cm (9 11/16 × 7 5/8 in.); First mount: 25.5 × 20.1 cm (10 1/16 × 7 15/16 in.); Second mount: 40.5 × 32.9 cm (16 × 13 in.)
Credit Line: Alfred Stieglitz Collection
Reference Number: 1949.853
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/66758/manifest.json

John Michael Kohler Arts Center. 1983. “The Alternative Image: An Aesthetic and Technical Exploration of Nonconventional Photographic Printing Processes.” Exh. cat. John Michael Kohler Arts Center. cat. 30.
Shimbun, Asahi. 1997. “Alfred Stieglitz and his Contemporaries.” Exh. cat. Tokyo Metropolitan Museum of Photography. p. 77, pl. 61.

New York City, New York, Little Galleries of the Photo-Secession, “Gertrude Käsebier and Clarence H. White,” February 5-19, 1906.
Sheboygan, Wisconsin, John Michael Kohler Arts Center, “The Alternative Image: An Aesthetic and Technical Exploration of Nonconventional Photographic Printing Processes,” June 20-August 7 1982; traveled to The Toledo Museum of Art, January 15-February 23, 1983.
Tokyo Metropolitan Museum of Photography, “Alfred Stieglitz and his Contemporaries,” September 9–November 3, 1997.
Art Institute of Chicago, “Alfred Stieglitz and the 19th Century,” October 31, 2015-March 27, 2016.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.